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Re: Recital #30 --- General Discussion Room by jazztpt @ Today at 05:31 AM

Thanks to those have commented so far on by submission , I will come back to proper thanks later. Time contraints mean I am going to restict my comments to mostly non-classical performances though I have listened and enjoyed all the music. Some of t

Pianist Corner

Re: VIRTUOSO TECHNIQUE!!! by landorrano @ Today at 05:30 AM

There's a great movie from the 80s, a Belgian movie if I remember correctly. Le Maître de musique, the Music Teacher, "starring" none less than José Van Dam. The teacher wagers a friend that he can take any bloke and turn him into a gre

Re: Recital #30 --- General Discussion Room by maestro57 @ Today at 05:26 AM

Thanks, both Sams I will work on something for August's ABF recital for sure! I've been listening to some of the playing. I'm very, very impressed by all the submissions I've heard so far, especially the ones that are self-taught and/or only have

Pianist Corner

Re: VIRTUOSO TECHNIQUE!!! by chopin_r_us @ Today at 05:25 AM

Originally Posted By: drumourThere is one way to convinced the sceptics that talent is irrelevant and that should be fairly obvious. If you think that with the right preparation anyone could play to the standard of say Kissin, go ahead and prove it -

Piano Forum

Re: Just got my Yamaha UX 52" 1980 delivered! pics+vid by Pat22 @ Today at 05:12 AM

Congrats, sounds fantastic!

Re: Recital #30 --- General Discussion Room by Sam S @ Today at 05:12 AM

Originally Posted By: maestro57I will take a listen to some of these tonight! I have a really, really dumb question: how does one submit a piece for these ABF recitals and how often do they occur? The recitals happen quarterly, February 15, May 15

Re: Recital #30 --- General Discussion Room by Sam Rose @ Today at 05:10 AM

Pianist Corner

Re: VIRTUOSO TECHNIQUE!!! by drumour @ Today at 05:06 AM

There is one way to convinced the sceptics that talent is irrelevant and that should be fairly obvious. If you think that with the right preparation anyone could play to the standard of say Kissin, go ahead and prove it - you can have as much time as

Re: The Shout!House by Olek @ Today at 05:06 AM

Originally Posted By: OperaTenorThe bass strings are breaking because the players are beating the bejeezus out of the pianos. 8 out of the 9 players don't even know what voicing is. They are content with buying lots of replacement bass strings. :shr

Re: Recital #30 --- General Discussion Room by maestro57 @ Today at 05:04 AM

I will take a listen to some of these tonight! I have a really, really dumb question: how does one submit a piece for these ABF recitals and how often do they occur?

Re: only up! Tuning hammer technique maxim_tuner ( from9 by 12 ) by Olek @ Today at 05:00 AM

Originally Posted By: MaximillyanOriginally Posted By: rxd I was one of the few who had faith in you and was severely castigated for it, here and elsewhere. I am very grateful for you. rxd, sorry for any condemnation of others . many people here are

Digital Pianos - Synths & Keyboards

Re: All about Roland FP-80 & FP-50!!! by enzo.sandrolini @ Today at 04:59 AM

I Have also played a lot with the FP 80 and the more I play, the more I love it. you can tune the sound as you want and the piano dynamics / key connection to the sound, is incredibly good I take a lot of pleasure playing with this piano. Now I am mo

Re: Recital #30 --- General Discussion Room by Sam Rose @ Today at 04:57 AM

05. Saranoya - Piano Sonata 14 - Adagio Sostenuto (a.k.a. Moonlight Sonata - first movement) I haven't commented yet, since I've been too busy, but I saw all the comments on your piece so I listened to it. Was it absolutely 100% note perfect? Of c

Re: May Day, May Day Piano Bar... by mattroilanh_tt @ Today at 04:51 AM

My contribution to this bar Long, Long Ago (by T.H Bayly) in Suzuki Piano School Volume 1

Re: Returning to the piano, comments on technique for me? by Bobpickle @ Today at 04:50 AM

Originally Posted By: Allan W.I used to take lessons as a child 10+ years ago. I think I was at Fur Elise level or something, but I don't really remember anymore. I've started playing again for about a year, recently bought a nice upright and made a

Re: only up! Tuning hammer technique maxim_tuner ( from9 by 12 ) by Olek @ Today at 04:40 AM

Originally Posted By: MaximillyanOriginally Posted By: OlekOriginally Posted By: Maximillyan Here russian technician. He keep a lever by left http://www.youtube.com/watch?v=w-ygitPdbAM&feature=share&list=PLE240C91854A9F9E6 pin setting is

Re: Beethoven Appassionata final movement - fast by Goomer Piles @ Today at 04:36 AM

lol

Re: Bach Well Tempered Clavier Book II No 22 Bb minor prelude by Goomer Piles @ Today at 04:35 AM

smh

Re: Funny (or not so funny) Piano Teacher Quotes by -Frycek @ Today at 04:35 AM

Originally Posted By: ElleCWhen I was learning my first ABF recital piece...I had this tendency to "hold" a note on this one particular measure even after several reminders by my teacher to not hold that particular note. So finally my teach

Re: Mendelssohn Prelude/Fugue in E minor Op35 No1 by Goomer Piles @ Today at 04:35 AM

wth

Re: Beethoven Sonata 16 in G by Goomer Piles @ Today at 04:34 AM

omg

Re: Recital #30 --- General Discussion Room by Saranoya @ Today at 04:32 AM

OK, time for a round of thanks. The comments here have been truly wonderful. Thank you all for that. Originally Posted By: aTallGuyNHI think this performance is much much better than you realise. Thank you... Well, I could list at least fifty tiny

Re: Steinway hammer position by Olek @ Today at 04:31 AM

The Steinway soundboard is made and installed with much specific operations to raise to the max the constrain in the panel. From the descriptions I have , they could be done by an equiped workshop butwith much efforts, time and somehow expensive eq