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#1140166 - 03/17/05 07:14 AM open position voicings
markb Offline
2000 Post Club Member

Registered: 10/29/04
Posts: 2593
Loc: Maryland
I just started working in the book The Jazz Pianist by Fred Hughes. It covers left hand chord voicings. Is there a good book or Web site that covers open position voicings? Does Mark Levine's jazz book discuss this?
_________________________
markb--The Count of Casio

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#1140167 - 03/17/05 07:39 AM Re: open position voicings
Bob331 Offline
Full Member

Registered: 06/11/04
Posts: 135
Loc: NY
Check out the DVDs on www.playlikeme.com.

They use open position voicings. I've just started working with them.

Bob

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#1140168 - 03/17/05 07:46 AM Re: open position voicings
markb Offline
2000 Post Club Member

Registered: 10/29/04
Posts: 2593
Loc: Maryland
Thanks, Bob. I'm definitely considering it based on your thread from a couple of days ago. I'm just wondering what else is out there. I'm probably missing something, but it just seems that open position voicings are often treated as an aside in a lot of chord materials (apart from playlikeme.com and Sudnow).
_________________________
markb--The Count of Casio

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#1140169 - 03/24/05 06:43 AM Re: open position voicings
hgiles Offline
500 Post Club Member

Registered: 01/27/05
Posts: 736
Loc: Charlottesville Virginia
I don't think open/close is discussed very much in jazz idiom because many jazz voicings are a mixture of both open and close. These terms apply mostly to classical piano. Remember, voicings (jazz) are only notes that INTEND to IMPLY a particular harmony. They don't necessarily do it in a strict classical sense and no one would know for sure what harmony is being implied if a voicing is taken out of context.

Further, many prominent jazz pianists since about the 1960s started using chord stacks based on consecutive perfect fourths. Also, tonalities having a tritone are often voiced with what Mark Levine calls Upper Structures.

Needless to say the Levine does talk extensively about voicings and how to harmonize tunes. He touches base on many of the more stylized types of jazz players (Errol Garner, George Shearing, Bill Evans, Wynton Kelly, McCoy Tyner, Herbie Hancock, etc.)
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