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#1251434 - 08/18/09 03:37 PM
How to "feel a bar"?
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Full Member
Registered: 06/13/09
Posts: 134
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Hi all, I'm having trouble improvising with just my right hand or if my left hand is playing whole notes. I cannot mentally count 1, 2, 3, 4 in my head during a solo (I can when reading sheet music) and therefore I cannot play in bars - I have no idea how many bars I'm playing. My clasical piano teacher, who's trying to teach me jazz, suggested I tap my foot. I've tried this but I can't keep track of how many taps I do! I can improvise just fine if my left hand is playing crotchetss or minims but when it comes to whole notes or nothing at all in the left hand I have no idea what a bar feels like. Can anyone give me advice? How od I "feel a bar"?
Cheers
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#1251445 - 08/18/09 03:48 PM
Re: How to "feel a bar"?
[Re: eweiss]
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4000 Post Club Member
Registered: 09/16/06
Posts: 4217
Loc: Santa Fe, NM
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I think ed's on to something here. Feel in phrases. For me, dancing contras and Scottish country dances has helped, for the kind of music I play, because the figures of the dance correspond to phrases in the music. I can do 32-bars of 2/2 dance music in my sleep. And do  Maybe when you're improvising, at least at first, you could try accenting the first beat of every measure in the right hand. Cathy
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#1251446 - 08/18/09 03:50 PM
Re: How to "feel a bar"?
[Re: eweiss]
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Full Member
Registered: 06/13/09
Posts: 134
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Hi Cathy, without a left hand e.g. walking base i can't do this, I don't know when to stress because I don't know which is the 1st beat of the bar.
Edited by Andy007 (08/18/09 03:52 PM)
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#1251467 - 08/18/09 04:09 PM
Re: How to "feel a bar"?
[Re: Andy007]
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4000 Post Club Member
Registered: 04/24/05
Posts: 4521
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In my view, when you improvise, there are no bar lines, no time signatures, no phrases, no rules. It's all free playing, liberated from the confines of what you normally get in sheet music. Of course, you could be more restrained when you improvise, and put in bar lines, and so forth, but why bother? In fact, just considering that makes me cringe. Improvising is the one time where you're free to express yourself at the piano, and have some real fun, and really learn about playing at the same time. So why spoil it for the sake of some minor consideration like bar lines?
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#1251482 - 08/18/09 04:30 PM
Re: How to "feel a bar"?
[Re: Gyro]
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Full Member
Registered: 06/13/09
Posts: 134
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Well the thing is I never seem to do well in the quick study part of the Jazz exam. After the 4 bars of sight reading I have do some improvisation for 4 bars with just the right hand. I basically guess when to finish because I have no idea what 4 bars feels like with just the right hand - because I don't know what 1 bar feels like!
Edited by Andy007 (08/18/09 04:30 PM)
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#1251493 - 08/18/09 04:49 PM
Re: How to "feel a bar"?
[Re: Andy007]
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2000 Post Club Member
Registered: 05/22/09
Posts: 2613
Loc: Scotland
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Hey, Andy, I'm no expert. But here's what I do sometimes to warm up to improvising. Play the LH as written. Play a single crotchet *only* on the first beat of the bar. Alternatively, play a semibreve (lasts the whole bar). Next bar, different note. Boring, yes, but I get throught the impro in correct time, and next time if I'm feeling really adventurous, I put something on beats 1 and 3.
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#1251676 - 08/18/09 10:23 PM
Re: How to "feel a bar"?
[Re: jazzwee]
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Full Member
Registered: 01/15/07
Posts: 150
Loc: Saskatchewan, Canada
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Andy, this is kind of a simple answer but feeling the length of a bar is something that you just have to hear in your head. Playing along with recordings helps with this, Band-in-a-box is helpful too. You might wanna try picking up a few recordings of some jazz standards and listen for a while. Listen for the 1, without counting the 2,3,4. The 1 should eventually become second nature, feels good, sounds like a "starting point" of something. Counting is common in classical music, but a backbeat is not common in classical music. What Jazzwee reccommended is perfect for practising. This helps you subdivide a little bit. Pracise with a metronome with the clicks on beats 2 & 4. Awkward at first but you'll get used to it. Also, you might wanna try simplifying it for practise purposes: Improvise between 2 different chords for like, half an hour until you feel comfortable with the beat. Try just C7 to F7 back and forth. Trying not to overload you here! Good luck!
Cheeze...
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#1251805 - 08/19/09 08:23 AM
Re: How to "feel a bar"?
[Re: Pianos_N_Cheezecake]
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Full Member
Registered: 06/13/09
Posts: 134
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Thanks guy will try out your suggestions.
Do you think my problem is related to the fact that I haven't completely internalised the 4 bar "feel"? I often have trouble with the left hand barrelhouse baseline (e.g. C-G then C-A repeatedly) and I either play 2 extra beats or 2 less beats then I'm supposed to before going to the IV chord. If I did internalise the 4 bar feel on the barrelhouse baseline would I automatically feel it in other baselines like a left hand shuffle? Would this also help my problem with not being able to improvise 4 bars without a left hand?
Cheers
Edited by Andy007 (08/19/09 02:16 PM)
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#1251839 - 08/19/09 09:59 AM
Re: How to "feel a bar"?
[Re: Andy007]
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2000 Post Club Member
Registered: 05/22/09
Posts: 2613
Loc: Scotland
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I have no idea Andy. All I can tell you is that while I generally have a pretty keen sense of rhythm, when I improvise, I can easily screw up rhythmically. If you want to get a 'feel' for lengths of bars, then one way to do that would be to concentrate on blues for a while. It's easier when you've got a predictable, 12 bar progression that just repeats over and over, and you get more of a feel for where you are in the big picture.
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