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Affect with an a means "to influence," as in "The rain affected Amy's hairdo."

Effect has a lot of subtle meanings as a noun, but the meaning "a result" seems to be at the core of all the definitions. For example, you can say, "The effect was eye-popping," or "The sound effects were amazing," or "The rain had no effect on Amy's hairdo."

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Originally Posted by Jazz+
Affect with an a means "to influence," as in "The rain affected Amy's hairdo."

Effect has a lot of subtle meanings as a noun, but the meaning "a result" seems to be at the core of all the definitions. For example, you can say, "The effect was eye-popping," or "The sound effects were amazing," or "The rain had no effect on Amy's hairdo."


What they don't realize is that the word "EFFECTS", is indicative in ELECTRONIC music, or any ELECTRONIC RECORDING and PLAYBACK of even purely acoustical music, of a wide range of AFFECTS.

EFFECTS can be a blanket generalization referring to any one of the innumerable ways a sound wave can be compressed, enhanced, or altered, from equalization, which directly determines and AFFECTS the TONE to echos and reverberations.

An example of this is an EWI, here played by the incredible Michael Brecker, IMO only equaled technically on sax by the master technician Phil Woods:

http://www.youtube.com/watch?v=kOEF7f2HGoE

Through the use of effects, not AFECTING the tone himself, has an 8+ octave range, and can play contrapuntally.


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Gollum says...

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We be nice to you if you be nice to us.

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Originally Posted by eweiss
Gollum says...

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We be nice to you if you be nice to us.


First, you'd have to explain to me what's offensive with my post that generated his and your attack:

What they don't realize is that the word "EFFECTS", is indicative in ELECTRONIC music, or any ELECTRONIC RECORDING and PLAYBACK of even purely acoustical music, of a wide range of AFFECTS.

EFFECTS can be a blanket generalization referring to any one of the innumerable ways a sound wave can be compressed, enhanced, or altered, from equalization, which directly determines and AFFECTS the TONE to echos and reverberations.

An example of this is an EWI, here played by the incredible Michael Brecker, IMO only equaled technically on sax by the master technician Phil Woods:

http://www.youtube.com/watch?v=kOEF7f2HGoE

Through the use of effects, not AFECTING the tone himself, has an 8+ octave range, and can play contrapuntally.

****************************************


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What attack dude? That was my first (and now last post) on this extremely stupid thread.

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Originally Posted by eweiss
What attack dude? That was my first (and now last post) on this extremely stupid thread.


It's not an attack. I'm just being as "sensitive" as others that read offensive threats into stating pure fact.
Also, what's stupid about it?

The only thing I find humorous (what others may call stupid) is the belief that once the escapement removes the hammers from contact with the strings, that a pianist can still exert some type of mystical force on them with after-touch histrionics that will magically allow the skilled pianist to somehow alter the timbral spectrum of the instrument (tone).

I do understand that there are those that wish to believe it is possible. Those that have faith that it is possible, although the concept flies contrary to every known law of acoustical science and the construcion principles of piano actions.

Merely mentioning my opinion on the subject and explaining why my belief is that the tone is inherent in the piano and not the pianist is no reason to take it as a personal attack, anymore than Galileo pointing out to the medieval church that the Earth revolves around the sun, instead of the other way around.

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V1, I think they don't like being pawned by common sense.

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Originally Posted by Jazz+
V1, I think they don't like being pawned by common sense.


In some ways, I wish I had their child-like type of faith to believe in miracles like Chris Angel being able to defy gravity, the sun remaining motionless in the sky until battles are won, Doug Henning being able to make elephants disappear, Santa visiting billions of children in one night, and pianists able to control the precise manner in which hammer shafts bend to alter tone.
I wonder when they watch Chris Angel how many realize that if someone could truly defy gravity, that the Earth and everything on it that wasn't defying gravity would spin by him at 700 mph orbitally, and about 66,000 mph eliptically/heliacally, likely forcing him right through or plastering him into the Earth dependent upon which hemisphere he was formerly standing on.

Knowledge, science, and logic are not the cup of tea for those that have that type of faith.

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Perhaps they were just "fooled" by this video. smile

http://www.youtube.com/watch?v=muCPjK4nGY4&feature=popular


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Thread closed. Too many personal attacks and silliness.


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