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Max Online: 15252 @ 03/21/10 11:39 PM
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#1395316 - 03/13/10 10:44 PM
Mozart's Fantasy in D min
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4000 Post Club Member
Registered: 08/29/09
Posts: 4707
Loc: Land of the never-ending music
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I have been enjoying this piece, but there are some strange fingerings in my edition and I was wondering if anybody knows the reason (I am curious...  ). The 7th 16th note in the second Presto (G#) is supposed to be played with the LH (2), and the same applies later to another G# in the bass staff. I can play both without any problem with the RH, so I was just curious if there is a specific reason for playing them with the LH? Thanks, CA
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#1395324 - 03/13/10 11:07 PM
Re: Mozart's Fantasy in D min
[Re: ChopinAddict]
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1000 Post Club Member
Registered: 08/08/02
Posts: 1072
Loc: Toronto
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Hi,
I have not played this piece in ages, but I can see what you're talking about on the sheet music.
For straightforward passages like this, it is fine to play it with the right hand only.
I presume the use of the left hand is an alternative to the fingering. If you feel more comfortable with just right hand, by all means use it.
Personally I do not find the addition for the left hand to be of help. It would cause some tempo problems (especially since these are 16ths) if you played the G# with the left hand too soon or too late. Best to keep the notes all under one hand (and the notes all fit perfectly under the hand)
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Old videos from prior piano competitions: http://www.youtube.com/user/kilace____________________ "... It is a skill you go on learning all your life: the more you write, the more you learn." Harry Freedman on the craft of composing
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#1395368 - 03/14/10 01:50 AM
Re: Mozart's Fantasy in D min
[Re: ChopinAddict]
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Yikes! 10000 Post Club Member
Registered: 05/26/01
Posts: 15661
Loc: Victoria, BC
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I think there is a logical explanation for that alternate fingering. The G-sharp with the left hand eliminates the need for cross-over fingering. With the fifth finger playing the top E, the right hand can play 4, 3, 2, 1 down to A, strike the G-sharp with the left hand, the continue with right hand 3 on the B-flat.
It's been years since I've played this but I seem to recall that it was the B-flat that I played with the left hand, particularly since it is an accented note each time it is played in this descending cadenza; it was easier for me to bring it out with the left than with the right.
Regards,
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BruceD - - - - - Estonia 190 in satin ebony
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