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#1475850 - 07/16/10 11:21 PM
Drawbar Organ
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2000 Post Club Member
Registered: 08/17/04
Posts: 2275
Loc: Virginia, USA
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I just built a new church. (what can i say? I'm an engineer. Ahem. A government engineer. )
But i let the chaplain spec the organ.
Today it was installed and I sat down to play it, hit a few stops and ran a few familiar hymns.
A more experienced player ran over and sat down to show me what I was doing wrong. He canceled all my stops (he called them presets!) and started moving drawbars.
Yeah, drawbars. In my haste, I didn't notice they were there. I'm used to looking at swell and great stops and trying to set a registration.
Wow! This guy was really really good at gospel organ, a genre I have zero background in, being Episcopalian.
Uh, there's something called a Leslie, too. Not sure what that's for, I would have put it in the dumpster myself. <g>
But he did all his work with drawbars, and I haven't the slightest clue what they do.
Can anybody point me in the right direction?
_________________________
gotta go practice
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#1475877 - 07/16/10 11:58 PM
Re: Drawbar Organ
[Re: TimR]
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Full Member
Registered: 05/20/10
Posts: 55
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In "The American Organist" (the journal of the American Guild of Organists), October 2009 issue, is an article, "How to Make Friends with a Hammond" by Jonathan B. Hall. It's a nice one-page intro to Hammond registration. Briefly on a Hammond the drawbars are for the fundamental pitch (8') and the overtones (4', 2', etc.). The article lists them as: I brown 16' II brown 5-1/3' III white 8' IV white 4' V black 2-2/3' VI white 2' VII black 1-3/5' VIII black 1-1/3' IX white 1' So the white drawbars are the unison and octave pitches, and the black and the 5-1/2' brown are "mutations". Pulling a drawbar out more lets that pitch sound louder. Wikipedia has a nice article: http://en.wikipedia.org/wiki/Hammond_organwhich links to an old Hammond owner's manual with example "registrations": http://www.manualnguide.com/dl/12641/Enjoy!
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