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#1661760 - 04/17/11 12:15 PM Summer Recital Program
jdhampton924 Offline
1000 Post Club Member

Registered: 01/13/08
Posts: 1009
Loc: Evansville, Indiana
This summer between semesters, I might get the opportunity to perform several recitals in my home town. I am currently talking to a few places I have played at before. For some reason I am not sure if this program would need another piece in it towards the end. Any thoughts would be Appreciated.

Scarlatti Sonatas: K380 E Major
K127-A-flat Major
Mozart Sonata in E-flat Major K282

Chopin Polonaise in E-flat Minor Op. 26 No. 2
Brahms Cappricio Op. 116 No 7 in D minor
Liszt/Schubert Aufenthalt.

Barber Ballade. op 46


Edited by jdhampton924 (04/18/11 11:57 AM)

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#1661777 - 04/17/11 01:03 PM Re: Summer Recital Program [Re: jdhampton924]
Ridicolosamente Offline
1000 Post Club Member

Registered: 07/08/08
Posts: 1469
Loc: Miami, Florida, USA
It doesn't "need" anything else, but I'm curious, what other options you have in your repertory to add? Any more of the Brahms Op 116? I don't really get the appeal of Scarlatti, so my natural and biased suggestion is: add more Brahms, scrap the Scarlatti. smile

-Daniel
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Currently working on:
-Dane Rudhyar's Stars from Pentagrams No 3

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#1661790 - 04/17/11 01:26 PM Re: Summer Recital Program [Re: Ridicolosamente]
Tim Adrianson Offline
1000 Post Club Member

Registered: 08/07/10
Posts: 1163
One quick thought: Since you have the Barber Ballade programmed, and it was written for the 1976 Cliburn Competition, you might want to have a look at Leonard Bernstein's "Touches", which was written for the 1980 competition, or Copland's "Homage to Ives", written for the 1972 Competition.

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#1661883 - 04/17/11 04:48 PM Re: Summer Recital Program [Re: jdhampton924]
Mark_C Online   content
Yikes! 10000 Post Club Member

Registered: 11/11/09
Posts: 19974
Loc: New York
Originally Posted By: jdhampton924
Scarlatti Sonatas: K380 E-Flat Major

Make sure to correct that to "E major."

Unless you're transposing it. smile
_________________________
"Everything I say is my opinion, including the facts." :-)

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#1661892 - 04/17/11 05:00 PM Re: Summer Recital Program [Re: jdhampton924]
gooddog Offline
4000 Post Club Member

Registered: 06/08/08
Posts: 4891
Loc: Seattle area, WA
Two Scarlatti sonatas back-to-back with a Mozart sonata may sound too similar to the unrefined ear. I'd suggest more variety in the first half.
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Deborah

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#1661914 - 04/17/11 05:32 PM Re: Summer Recital Program [Re: gooddog]
jdhampton924 Offline
1000 Post Club Member

Registered: 01/13/08
Posts: 1009
Loc: Evansville, Indiana
Originally Posted By: gooddog
Two Scarlatti sonatas back-to-back with a Mozart sonata may sound too similar to the unrefined ear. I'd suggest more variety in the first half.


Depends which scarlatti sonata you end with. Since it is A-flat major, it transitions a better into the Mozart.

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#1661916 - 04/17/11 05:33 PM Re: Summer Recital Program [Re: Ridicolosamente]
jdhampton924 Offline
1000 Post Club Member

Registered: 01/13/08
Posts: 1009
Loc: Evansville, Indiana
Originally Posted By: Ridicolosamente
It doesn't "need" anything else, but I'm curious, what other options you have in your repertory to add? Any more of the Brahms Op 116? I don't really get the appeal of Scarlatti, so my natural and biased suggestion is: add more Brahms, scrap the Scarlatti. smile

-Daniel


Right now, Schumann Romances Op 28, Schumann novellette No 8, Chopin nocturnes. Those are the ones at the moment I have ready that I could replace those with. My teacher keeps trying to get me to play Robert Muczynski.

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#1661919 - 04/17/11 05:34 PM Re: Summer Recital Program [Re: Tim Adrianson]
jdhampton924 Offline
1000 Post Club Member

Registered: 01/13/08
Posts: 1009
Loc: Evansville, Indiana
Originally Posted By: Tim Adrianson
One quick thought: Since you have the Barber Ballade programmed, and it was written for the 1976 Cliburn Competition, you might want to have a look at Leonard Bernstein's "Touches", which was written for the 1980 competition, or Copland's "Homage to Ives", written for the 1972 Competition.


Thanks for the suggestions. I like how they are connected by the Cliburn comp.

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#1661921 - 04/17/11 05:41 PM Re: Summer Recital Program [Re: Ridicolosamente]
stores Offline
6000 Post Club Member

Registered: 12/28/09
Posts: 6648
Loc: Here, as opposed to there
Originally Posted By: Ridicolosamente
scrap the Scarlatti.



bah Scarlatti rocks! Very nice recital choices I think, jd.
_________________________

"And if we look at the works of J.S. Bach — a benevolent god to which all musicians should offer a prayer to defend themselves against mediocrity... -Debussy

"It's ok if you disagree with me. I can't force you to be right."

♪ ≠ $


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#1661947 - 04/17/11 06:38 PM Re: Summer Recital Program [Re: jdhampton924]
Josh_P Offline
Full Member

Registered: 02/26/11
Posts: 201
Loc: Seattle, Washington
OOO, the Schumann Romances are really great. The novellette is nice too, although I personally don't like playing it. If you did do the novellette, I would do it more toward the beginning as it has that fanfare quality.

I really like Scarlatti to.
_________________________
Working On:
Beethoven-32 Variations in C minor
Beethoven- Opus 109

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#1661998 - 04/17/11 08:41 PM Re: Summer Recital Program [Re: jdhampton924]
pianoanne Online   content
500 Post Club Member

Registered: 11/02/04
Posts: 649
Loc: Pacific NW
If there was an intermission, I would start the first half with Scarlatti, then follow it with Barber and Schubert/Liszt. Then I would begin the second half with Mozart and follow the Mozart with the Chopin Polonaise (both in Eb major then minor) Then replace the Brahms with a Schumann set of the Romance in F Sharp Major and then end the program with the Novelette.

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#1662093 - 04/18/11 01:58 AM Re: Summer Recital Program [Re: Josh_P]
jdhampton924 Offline
1000 Post Club Member

Registered: 01/13/08
Posts: 1009
Loc: Evansville, Indiana
Originally Posted By: Josh_P
OOO, the Schumann Romances are really great. The novellette is nice too, although I personally don't like playing it. If you did do the novellette, I would do it more toward the beginning as it has that fanfare quality.

I really like Scarlatti to.


It is a great piece, but hard on some audiences with its structure.

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#1662100 - 04/18/11 02:06 AM Re: Summer Recital Program [Re: jdhampton924]
Mark_C Online   content
Yikes! 10000 Post Club Member

Registered: 11/11/09
Posts: 19974
Loc: New York
BTW....just noticed that you got the key wrong on the Mozart too. I didn't notice before because I didn't know which Mozart sonata this is -- but I got curious and checked, especially because I realized that I wasn't aware of ANY Mozart piano sonata in E major.

I guess you just reversed the Mozart and Scarlatti keys.

Hard for me to see how someone could do that. smile
Even if the keys don't have very different "flavors" for you, I mean, you KNOW if you play the piece with sharps or flats, you know whether you keep landing on E or on E-flat.... I know that people sometimes make mistakes like this. I just don't understand how.
_________________________
"Everything I say is my opinion, including the facts." :-)

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#1662101 - 04/18/11 02:13 AM Re: Summer Recital Program [Re: jdhampton924]
Josh_P Offline
Full Member

Registered: 02/26/11
Posts: 201
Loc: Seattle, Washington
Originally Posted By: jdhampton924
Originally Posted By: Josh_P
OOO, the Schumann Romances are really great. The novellette is nice too, although I personally don't like playing it. If you did do the novellette, I would do it more toward the beginning as it has that fanfare quality.

I really like Scarlatti to.


It is a great piece, but hard on some audiences with its structure.


Or lack thereof smile
_________________________
Working On:
Beethoven-32 Variations in C minor
Beethoven- Opus 109

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#1662308 - 04/18/11 11:57 AM Re: Summer Recital Program [Re: Mark_C]
jdhampton924 Offline
1000 Post Club Member

Registered: 01/13/08
Posts: 1009
Loc: Evansville, Indiana
Originally Posted By: Mark_C
BTW....just noticed that you got the key wrong on the Mozart too. I didn't notice before because I didn't know which Mozart sonata this is -- but I got curious and checked, especially because I realized that I wasn't aware of ANY Mozart piano sonata in E major.

I guess you just reversed the Mozart and Scarlatti keys.

Hard for me to see how someone could do that. smile
Even if the keys don't have very different "flavors" for you, I mean, you KNOW if you play the piece with sharps or flats, you know whether you keep landing on E or on E-flat.... I know that people sometimes make mistakes like this. I just don't understand how.


Yeah, I originally made a mistake just on the scarlatti, and when I corrected it I changed the Mozart. Not that I would screw that up when playing but heck see the word sonata 3 times ina Row and E twice, at least I didn't put G minor.


Edited by jdhampton924 (04/18/11 11:59 AM)

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