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I would have to say Prelude in E minor, Prelude in B minor, Prelude in A major, Waltz in A minor (the posthumous one, not Op.34, no. 2), Albumleaf (posthumous), and Cantabile in Bflat Major are amongst the RELATIVELY easier ones. None of them are easy, as far as I am concerned. I took a serious stab at Prelude in Em about a year ago. I have been thinking of returning to it now. I abandoned it because I felt that my "heavy" left hand sounded very ugly. I love the piece too much to play it horribly.

A very nice collection, if you are interested (it contains all of the above and much more!) is Chopin, an introduction to his piano works (Alfred CD edition).


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+1 thumb agree across the board.

Some of these are not too hard to play the notes, but playing musically with full expression may be a different story.

Butchering our first Chopin (as I did) is sorta a rite of passage grin

I should add these "easier" Chopin pieces are FUN to play...whether butchered or not.



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Oh goody, I've been thinking about picking up the Prelude in E minor (inspired by the TED talk that uses it... Benjamin Zander's TED talk )
... here comes the butcher!

Last edited by bessel; 02/24/12 04:29 PM.

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Ohhh!! That TED talk is remarkable. It made me love the piece even more. I first saw it before I started butchering!!! Perhaps it made me too sensitive to it?


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Chopin's pieces are really great!! Mazurkas collection is very nice and I think most of them are easier than Waltz.

My AOTW : Just finished learning whole piece of Beethoven Op129 and my teacher will guide me to play with pedal and some details next lesson. Happy Happy!!!

Another challenging to play a group of trills continuously for Beethoven variation, hope to play nice.

Have a nice weekend smile


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I have played the original 1902 Entertainer all the way through! Now I have to work on maintaining a consistent tempo. I also started on the Weeping Willow Rag......my new favorite. I also learned that I will never buy another compilation book that is bound!!!! They suck......I'm thinking of taking a circular saw to my Joplin book to get rid of the binding......I'm sure there is a YouTube video of someone losing their fingers screwing around with a circular saw.....so I guess I have to be more careful with my next purchase!


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Christine thanks for flagging the book (my hubby is going to shake his head when he sees ANOTHER book on my table!)

Bessel - I watched the TED talk - wow........ that was wonderful. I 'm already hooked, but he had so much to say that went beyond a love of music. I was moved.

Yuki - you think the mazurka's are easier? Interesting - I am intimidated by the speed.. maybe I'm mistaken. I'll have to do some listening and check them out. Congratulations on you Beethoven success!

Michael - what fun you're really getting into ragtime! I agree with you on the bindings, I'm, thinking of getting several of mine re-done with spiral bindings.

Hope everyone has a wonderful musical weekend!


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Casinitaly- Yes, I think waltz need much skill to play...for those waltz like Op34 no1,Op18 made me crazy.
I think Mazurka are easier than waltz but does not mean they are very easy.


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Playing in the church for the kid's choir went great - one minor flub that I'm pretty sure only me & the choir director noticed (not that he mentioned it but he can hear a bad note in eight part harmony so I'm pretty sure!). I also had to act as cantor for the first time - much more scary (cantor means singing solo) for a short piece.

Oh, and my piano got tuned and the squeaky pedal fixed. smile smile smile


  • Debussy - Le Petit Nègre, L. 114
  • Haydn - Sonata in Gm, Hob. XVI/44

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Originally Posted by Andy Platt
Playing in the church for the kid's choir went great -


thumb

Fun stuff.

Cathy


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Originally Posted by Andy Platt
Playing in the church for the kid's choir went great - one minor flub that I'm pretty sure only me & the choir director noticed (not that he mentioned it but he can hear a bad note in eight part harmony so I'm pretty sure!). I also had to act as cantor for the first time - much more scary (cantor means singing solo) for a short piece.

Oh, and my piano got tuned and the squeaky pedal fixed. smile smile smile


Glad it went well Andy - and that you have your squeaky pedal fixed. All in all, a good week, eh?


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I played moonlight sonata 1st movement. It's the first piece of classical music I've ever learned. Not the highest achievement but I have been playing for about 5 years off and on without ever having lessons and I never strayed much past pop material.

It felt especially gratifying considering the hard way I learned it. 11 youtube video tutorials of the piece broken down into about 10 minutes each. Took me 5 days.

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Heyo, that's excellent. I know that feeling and it keeps me coming back for more.

Andy, I think at some point I'd like to play at church. It sounds fun. I used to play guitar at church and I enjoyed it.

Tonight I played Chopin's nocturne in B-flat minor, Op. 9-1 at tempo for the *first time* woohoo! The middle section needs more musicality, but it's getting there. It should be ready for the next recital.

What really got me excited was that yesterday I tore through one of Grieg's lyric pieces (Hjemad / Homeward) and memorized a huge chunk in an hour. It was so exciting, it got me fired up about piano--more than I've been in a while. It was as if suddenly this stuff was getting easier than my fears indicated.

Tonight, I decided to make a list of pieces, so that once having learned them I will buy myself an expensive grand piano. Here is the list:

Grieg, Hjemad
Schumann, Op 76/2 (submitted the A part of this ABA march for ABF recital, but need to bring the B section to speed)
Brahms waltz Op. 39 #15
Schubert Moments Musicaux #3, #5
Chopin Sonata #3, just the Largo (pt. 3)
Chopin Nocturne #7, Op 27/1
Chopin Etudes op. 10 #1/#12
Schubert Wanderer Fantasy (just the Allegro -- memorized, but need to bring up to tempo)

At that point, I'd feel justified owning an expensive instrument. I'd like to have this done by next summer (2013). We'll see!!

Disclaimer city: If any of these pieces prove insurmountable, that doesn't mean no piano--just need a new justification! Oh, and I reserve the right to exchange a piece for another like piece.


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Originally Posted by JimF
+1 thumb agree across the board.

Some of these are not too hard to play the notes, but playing musically with full expression may be a different story.

Butchering our first Chopin (as I did) is sorta a rite of passage grin

I should add these "easier" Chopin pieces are FUN to play...whether butchered or not.



Is murdering worse than butchering? I usually murder my pieces. They really do sound like they're being strangled sometimes! laugh


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Quote
Is murdering worse than butchering? I usually murder my pieces. They really do sound like they're being strangled sometimes!


Well, of course you have to murder it first. Then you butcher it. Butchering it live would be too over the top. cry


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HAHAHAHAHA
I love this conversation.

Look at my signature laugh laugh


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If you said you "killed it" I might have thought you played it really well. "Butchering it" is clearly bad. "Murdering it"... I'm not sure! In baseball that's a big hit... so maybe in piano you have to butcher it before you can murder it. smile


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My achievement was more one of process than anything... It finally occurred to me that it would be helpful to use the record and playback on my DP to practice the LH of a piece I'm struggling with (another Bach minuet). Since the manual for my piano is in Japanese, I couldn't figure that out, but I did record it on my iPhone instead. It has really helped a lot. It's also made me realize I need to use the metronome more!! And that I should print out an English version of my piano manual.


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I have no achievements, since I’m finding many problems in the second part of the prelude by Bach that I’m working on. But I just wanted to say I read this thread often, and I always see it so inspirational.

Cheers!


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Ah, the Froberger sarabande - on the harpsichord - is sounding more musical. The first part at least. Chord spreads - many - are working well.

The second part is now a reasonable work in progress, with middle voice fingers/hand shared out.

I'm still not convinced I've got all the suspended note lengths absolutely correct, but given this was the era of unmeasured pieces and notes 'inegales' I think a bit of artistic licence is permissible.

I'm really enjoying being able to play this piece.


Currently working on: F. Couperin - Preludes & Sweelinck - Fantasia Chromatica
J.S. Bach, Einaudi, Purcell, Froberger, Croft, Blow, Frescobaldi, Glass, Couperin
1930s upright (piano) & single manual William Foster (harpsichord)
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