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I performed the Poulenc sonata for 4 hands. definitely a fun high-energy piece full of funny and quirky moments, but I wouldn't define it as "great". It's also pretty simple in its technical demands if i remember correctly.

Plenty, if you get away from the piano.

His favorite instruments were the voice and woodwind. His Flute Sonata is lovely and so are his songs. And his Concert champêtre (Harpsichord Concerto) and Concerto for organ, strings and timpani are rather more interesting than his Piano Concertos. And his opera Dialogues des carmélites is amazing, complete with guillotine effects as the heads get chopped off one by one.....

That is an incredible piece. I once heard it live at Liverpool Cathedral... almost apocalyptic!

Another Poulenc must-hear would be the Gloria for chorus and orchestra. The choral writing is very clever (and expert), the orchestration positively delectable.

Franz Liszt

+1

Someone should make an appreciation thread about him.

Wasn't facetious at all, including because IMO in all such things there's plenty of room for debate on who is 'great' and how many there are, plus just what it means. I realize that many people would dispute calling Joplin great, and also (as Plover noted) that many people don't consider him "classical."

I could see some people feeling that there are only 3 or 4 or 5 "great" piano composers, and others feeling there are 20.....or 50.

How about Mendelssohn?

I hardly ever hear any mention of Mendelssohn anywhere other than his Songs Without Words.

Villa Lobos. I never head his name in this forum, only in this thread. Really people, listen to his lyrical pieces, the Bachianas, "valsa sentimental", "lenda do caboclo"... Or if you're feeling adventurous the "Rudepoema". Masterpieces....

Well, to me, Poulenc's 2-piano concerto is wonderful, so I wouldn't know what to hazard as a guess of something his you might think was worthwhile. It's quite possible you just don't care for his particular sensibility. But, if you want to check out some more - I very much like this Trio, for oboe, bassoon, and piano.

http://www.youtube.com/watch?v=X0QX-06vco8

His clarinet sonata is excellent, too - a classic of that repertoire.

http://www.youtube.com/watch?v=RMb_F9GsG8Q

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Let's see, about that list -

Kenneth Leighton

There is a variety of piano works from him - sonatas, etudes, concertos, etc. This "Fantastia Contrapuntistica" is impressive, I think (historical note - Pollini gave the premiere performance, back in 1956)

http://www.youtube.com/watch?v=h_ZIZ0mhc78

Harold Shapero

I love his three neo-classical "amateur" sonatas. I have to say, he certainly had high expectations of amateurs - these are not easy pieces. Here's the first one -

http://www.youtube.com/watch?v=PYGrrrhyvqo

Roger Sessions

He made three piano sonatas, the last two being rather tough (at least to me), but rewarding. Here's the second...

http://www.youtube.com/watch?v=EjpcgoP_yiY

Ernest Krenek

He was quite prolific, and wrote in a variety of idioms, ranging from the simplest diatonic harmony to hard-core 12-tone stuff, sometimes within the same piece. Here's a fun example that covers quite a bit of ground in terms of tonality - his "George Washington Variations".

http://www.youtube.com/watch?v=d69sv7E0J7Y

Arthur Honegger

There's not a lot of piano music from Honegger. Long ago I got a recording that included his somewhat Stravinsky-ish Concertino, and I like it a lot. It's too bad it isn't heard more often -

http://www.youtube.com/watch?v=OeqhKYRV7ug

Igor Markevitch

His story is quite strange - he was becoming widely respected composer, but something happened, and he stopped composing while still fairly young, and went on to have a career as one of the great conductors of the 20th century. His Variations, Fugue and Envoi on a Theme of Handel for piano was his last original composition, and it is, IMO, a masterpiece. There's only one performance on YT that I found and it's frustrating in a couple of ways - one is that it is from a competition and the time bell cuts it off during the fugue. The other is that the sound is pretty murky, and the pianist really deserves much better. But beggars can't be choosers, I guess, so here it it...

http://www.youtube.com/watch?v=2lHSQopQQbM

Sigrid [sic] Karg-Elert

(That was a typo in the first name, of course.) Karg-Elert is mostly known to the organ world these days, I think, but he wrote other music (my first encounter with his music long ago was through some etudes for solo saxophone, and IIRC, they were pretty interesting). I was thinking of his big, feverishly late-Romantic third piano sonata when I mentioned him, and it turns out I can't find a recording of it on YT at all (but I know it has been recorded). You can find the score at IMSLP, at any rate.

Charles Koechlin

Koechlin was very prolific, and left a good deal of piano music. His Paysages et Marines are fairly representative, I think.

http://www.youtube.com/watch?v=UqLdITP6HO0

He's also (rather surprisingly) BBC Radio 3's "Composer of the Week" this week, so you can listen to that daily program (which is available on from their website for a week after it is first broadcast) to get a dose of his other music, and pick up various bits of information about his life.

Certainly agree with you on this one, Francisco! After trying to identify in my own mind composers who wrote a significant body of really good piano music, but are only seldom mentioned in this Forum, three names -- Faure, Medtner, and Villa Lobos -- came to mind. And, of those three, Villa Lobos the least of all, and really by quite a lot. A real shame, because there are some wonderful treasures to be had.

I've been listening to it all week (because I know very little of his music), and it confirms for me what I've long thought - that French composers of that era - especially 'Les Six' - were most comfortable writing for woodwind, even if they were pianists themselves. Their piano music are often not that interesting - Debussy and Ravel are the exceptions.

PDQ Bach

Shostakovich comes to mind, along with Bartok, Stravinsky, and Schoenberg.

Nobody mentioned Albéniz yet?

Agreed! Over time, Joplin has become one of my favorite composers along with Mozart, Chopin, Schumann etc.

I believe many people brush him off as "just a Ragtime composer", but Joplin himself treated Ragtime as Classical. He innovated the genre into a form which should be treated the same as Classical. Look at works such as Bethena, Elite Syncopations, Euphonic Sounds, Pineapple Rag, Solace, Wall Street Rag etc, these are works of authentic genius. People also seem to forget this is the guy who wrote TWO Opera's (one of which, unfortunately is lost). His remaining Opera "Treemonisha", only exists in Piano/Vocal format as the orchestration was lost, but it has been orchestrated many times and it gives us a hint as to what it would have sounded like, and it's genius.

It's an absolute tragedy that he passed away so young. Before he died, he was working on a Symphony, Piano Concerto, Orchestrations of "Magnetic" and "Stoptime" Rags - which all remain lost. His final work Magnetic Rag, shows his general music direction and he was beginning to innovate Ragtime. If only his Symphony or Concerto had been finished, I think many more would appreciate his genius.

Another under-rated composer is Joseph Lamb. He composed some of the most beautiful, and intricate Rags without any musical training. I've also read a Biography on him, he sounded like a wonderful man with such a talent.

Not sure if Ives counts, since he hardly wrote for piano. but what he wrote was pretty great.

+1 on Rzewski too

and Shostakovich, whose P&Fs i've recently fallen in love with

I'll put in a word for Joaquin Rodrigo (not that I can play his piano music).

Thanks so much for taking the time. I look forward to listening.

-Daniel

Ives was a complete genius, and his vision suits the piano well in a variety of senses. He wasn't massively prolific for the instrument, but "hardly wrote" is misleading: two massive sonatas, a short sonata, multiple etudes... certainly everything except for the Concord Sonata is neglected.

His piano works are a tiny portion of his oeuvre, but i guess you're right that what he did do was pretty massive. it's like calling Mendelssohn a violin composer though - he didn't write much, but what he did write was pretty substantial.

Some autumn morning music for you
http://www.youtube.com/watch?v=l-pjG1FQtlY