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The mode doesn't matter here, files saved in internal memory are affected too.
As for saving settings in internal memory - also didn't change anything. Besides you should hear the pedal sound and damper resonance with default (5) setting anyway.

Btw the thread has gone slightly off topic I think Maybe we should move it to another to not make any more mess here?

R0B/dewster,

I received a reply from one of the MP programmers regarding String/Damper resonance when playing back MIDI.

He suggests checking that the 'SysCH' setting is set to 'Panel'. For reference, here is the explanation from page pp.48 of the MP5 owner's manual:



I hope this helps.

Cheers,
James
x

James.

Thanks for that info, but after a quick test, I found that the opposite, may be true.

I performed a factory re-set a few days ago, and have not altered any settings, and it seems the MP-5 defaults to 'SysChMode=Panel'.

I changed this setting to: 'SysChMode=Normal' and set string and damper resonance to max (10), along with Key off effect, and these effects are now being transmitted, and recorded.

Dewster.
Here is the new file, if it is of any use:

http://www.box.net/shared/kvq12s77jh

Rob

I personally don't consider this off topic as technically it's a very unusual DP, and I'm sure others are interested in any issues you're having. Maybe someone from Roland will answer our questions soon.

Unfortunately there is no ROLAND James in sight...

'Roland Ronald', perhaps?

Cheers,
James
x

Or maybe their distributor in Warsaw could contribute? "Roland Poland"

I got a response from Roland, they said they would get the HP-307 MIDI implementation document from their corporate parent and post it here:

http://backstage.rolandus.com/product_manuals/

Thanks! I pulled it into Audition - excellent levels. Is it supposed to have sympathetic resonance? I don't see or hear it in there.

Today I ran our Yamaha Motif Rack ES through the DPBSD gauntlet. The patch is "Full Grand". I thought I turned off the reverb, but some of it remains. No real matter I guess, it's not like it's a groundbreaking sample set in any way. With that lackluster intro, I leave you to the review. MP3 output is at the sharepoint for those interested. Readme and review files have been updated.

-----------------------------------
- Yamaha Motif Rack ES Full Grand -
-----------------------------------
FILE & SETUP:
- dp_bsd_v1.4_yamaha_motif_rack_es_full_grand.mp3
- Sonar, Echo MIA MIDI out, TRS out, Echo MIA TRS in, Audition.
PROS:
- Decent dynamic range (~37dB, vel=1:127).
- A fairly smoothly blended 3 layer sample set (spectral pan & phase displays).
- Visible layer switch @ vel=72,104.
CONS:
- Note decay rate is pretty fast (~2/3 to 1/3 Pianoteq, lo to hi).
- Obviously looped. Lower notes sound fake-wobbly, upper notes sound fake-static.
- Sample lengths are (C2:C9): 2.3,2.6,2.4,2.3,1.8,1.5,1.2,? seconds.
- Obviously stretched, low and mid group transitions fairly audible.
- Stretch distances: 2,3(x10),2,3,4,3,3,2,2,2,1,3,2,3,1,2,1,2,3,3,3,3,3,5 = 33 groups.
- Obvious velocity layer switch @ vel=104, timbre fairly static after that.
- No obvious sympathetic resonance.
- No obvious key up/down samples.
- No pedal up/down samples.
- No response to partial pedaling.
OTHER:
- Couldn't get SPDIF output to play nice with my Echo MIA card.
- MP3 levels: peak @ -1dB, noise floor @ -76dB.
- Sounds like a bit of reverb is still on.
- Date reviewed: 2010-02-25

Roland HP-307 Visual Results

I thought people might be interested in some of the results of our tests on the Roland HP-307. The text review was posted earlier in this thread. This is quite the groundbreaking DP when it comes to technical specs that the DPBSD tests for.

As usual, people are advised to go and play one before deciding on such a major purchase - this test doesn't tell the whole story by any means. This test can however help you weed out problematic issues with sound that might bedevil you after you have owned a particular DP for a while (usually one day after the return period runs out ).

That said, the HP-307 doesn't seem to possess any of the usual issues normally associated with DP sample compression, which I find very refreshing. The Roland engineering staff should be commended for such a fine accomplishment.


Spectral phase view of the note C2. It looks vaguely cyclic, but over a much longer period then is usual for DPs loops. And by that I'm not really claiming the decay cycle is a traditional loop.


Spectral pan view of the note C3. Also looks vaguely cyclic, yet somewhat random too.


Spectral pan view of the note C4. Appears vaguely like a an attack sample melded to a somewhat cyclic decay.


Spectral pan view the layer test. Very smooth timbral variation with no visible or audible layer switching.


Spectral frequency view the layer test. High frequency content increases smoothly with velocity.


Spectral pan view the stretch test. The mid notes are shown here. Notes appear random, no visible or audible stretch grouping. Lower and higher notes not shown here also appear to be (and sound) random.

These and more pix for the HP-307, as well as the text review and MP3, are posted at the sharepoint for those who are interested.

Thanks very much for your effort and analysis, dewster.

There is a demo of K-RD700GX1 SuperNatural piano kit:

http://forums.rolandclan.com/pub/attach/203570-My_Pleasure.mp3

Maybe this guy could make the DPBSD file for you Dewster too...

http://forums.rolandclan.com/?action=show_thread&thread=32970&fid=34&page=3

Thanks for the detailed review of HP-307 dewster, always glad to hear positive comments on a new purchase Especialy if it's a totaly new approach of testing based on somewhat measurable facts. Naturaly you should never buy an instrument with such price tag without trying it first but at least everyone will be encouraged to try it now.

Dewster, thank you very much for this project, its extremely interesting!

Here is mp3 from my Yamaha CLP-330 (I think I'm going to replace it with HP-307 )

http://www.sendspace.com/file/s2gv6l

Thanks, I really do appreciate it!

Was the sympathetic or damper resonance set to the default setting, or turned up? If it was turned up, could you perhaps record it again with it set to the default?

Could you also tell me a bit about your hardware / software setup (soundcard, MIDI playback & recording software, etc.)?

Is it OK if I criticize it?

dewster

Damper resonance was set to max (20), and I don't remember the default value ) Maybe 2 or 10.. Ok, I'll re-record it with 10 tomorrow.

My soundcard is Audiophile 2496, I'm using SAWStudio to record audio. CLP330 can play midi from usb flash drive, so I just connected piano' phone-out (it's little noisy but lineout level is too low) to soundcard's line-in. Ofcourse you can criticize it )

OK, thanks! Before you record you might want to do a factory reset, then turn off the reverb. Your MP3 levels were very good, no complaints about that anyway .

damper resonance = 5
http://www.sendspace.com/file/p8wbwa

Thanks very much to to bkmz, we now have a review of the Yamaha CLP-330, which is a Clavinova introduced in 2008. In the "prices paid" thread someone bought one for $2390 USD in Minsk, Belarus.

There are two files at the share point, one with the default sympathetic resonance, and another with it turned up to the max. I think the effect is typical for Yamaha i.e. rather poor - I don't like the default value, and turned up I find it obnoxious.

The sample lengths are fairly short, and the upper note loop lengths are way too short, you can hear the resonance repeating like an echo.

It's also stretched a bit more than I would expect for an instrument this new and of this caliber. I could actually hear the upper stretching, which is rather unusual in my experience.

During the layer tests the notes are very damped sounding. The MIDI file plays one note repeatedly, with one event right after the next, so perhaps the CLP-330 is confused as to what to do with conflicting note on/off commands. Something I should perhaps fix in the next version of the test file.

On the plus side, the layers are smoothly blended.

------------------
- Yamaha CLP-330 -
------------------
FILE & SETUP:
- dp_bsd_v1.4_yamaha_clp330_dr5.mp3 (sympathetic damper resonance set to default of 5)
- dp_bsd_v1.4_yamaha_clp330_max_res.mp3 (sympathetic damper resonance set to max)
- USB Flash drive (MIDI file), headphone out, Audiophile 2496, SAWStudio.
PROS:
- Huge dynamic range (~62dB, vel=1:127).
- A smoothly blended multi-layer sample set (Yamaha reports 3 layers).
- Something like layer switches barely visible @ vel=72,90 (spectral phase view).
- Responds to partial pedaling.
- Sympathetic resonance.
CONS:
- Note decay rate is somewhat fast, particularly the higher notes (~3/4 to 1/3 Pianoteq, lo to hi).
- Obviously looped.
- C8 & C9 loops too short, piano resonance sounds like quick repeated echos.
- Sample lengths are (C2:C9): 2.2,1.9,1.9,0.8,1.3,0.8,0.6 seconds.
- Loop lengthes are (C2:C9): 1.0,0.8,0.5,0.3,0.2,0.2,0.15 seconds.
- Obviously stretched, most group transitions fairly audible, even the higher ones.
- Stretch distances: 3,3,4,4,4,2,4,3,3,3,2,3,3,3,2,2,2,2,3,1,3,3,4,2,2,3,5,4,3,3 = 30 groups.
- Sympathetic resonance is unpleasant - echoy, reverby, resonant, fake.
- No obvious pedal up/down or key up samples.
OTHER:
- Notes oddly damped during the velocity layer test.
- MP3 levels: peak @ -1dB, noise floor @ -80dB.
- Date reviewed: 2010-03-01