Piano World Home Page Forums Our Most Popular Forums Piano Tuner-Technicians Forum What think technicians about of max's temperament?

The hall in your videos intrigues me. Is it a school hall, church hall, town hall??

As in most places, there are many different cultural levels. Your area of Kazakhstan doesn't seem to lack some of the finer things in life, Max.

To be fair, Borat also pokes fun at some areas of American culture, as I remember.

I have always advised listening to many pianists playing the same instrument to demonstrate how much of the tone quality is dependent on the player. Here is a good example where many of us could swear that the piano had some tuning before the last clip. All three pianists made different tone colours. The last one could even make a piano sound more in tune. I've heard it work the oposite way, too.

Indeed. Much more so than Kazakhstan in fact.

This school of music hall of Uralsk. Girls graduates of this school. Now they continue their education at various conservatories in Russia and Kazakhstan. While on vacation, they visited a hometown.
Beautiful things around us is an illusion given to us in sensation. We must create a celebrate within ourselves despite "gloomy atmosphere around us." In Uralsk music concerts is one only outlet from reality. I am grateful that I can involved in the holiday.
I appreciate you found the different color tones in their play. I caught myself thinking, which also heard any paint. Despite some flaws myself tuning, the girls successfully completed the show
Glory MUSIC!

Piece being played was in a different key, most likely case. A bit of a topsy turvy temperament will do that.

On a positive note, if someone can stomach a G-D 5th (in EBVT III)that beats twice as fast as a normal ET 5th without feeling like a person looking at the bottom of their shoe in a dog park, Maxs' temperament could be a calling card for a glitzy cyrillic name like CиKT 1... Случайные избиение казахско темперамент. Random Beating Kazakh Temperament.

So that's what it is. 'Pretty good. Kazakhstan gave us the apple tree, and now a whole new temperament to argue about.

In Russian it sounds like this:
"Случайные биения казахской темперации"

I'm starting to wonder is Max is for real. Somewhere, someone is laughing at all of us!

I said before: If I want to hear a sermon I'll go to church.

Maybe I'll change my mind on that rxd; I really enjoyed this online sermon by you.

Kees

Yes, of course, that is indeed the most likely case but it is more than that. I was mainly listening to the whole different approach to the keyboard each of them had different styles of attack giving different colours other than the key color and the balance of parts that can disguise to some extent the variances of the tuning even on the same notes. (a friend of mine used to say ' it's a different piece but it has a lot of the same notes').
I


I've wondered that myself, Bob, in fact, we were ridiculed for helping Max on a private thread in another forum and who knows where else. Attempts at ridicule really don't matter in the long haul.

""Indeed I tuning alivkvont fourth string, which is higher than the other one octave higher. I did it intuitively, some of them were so configured. I tried not to make a mistake and I did pulling the string an octave higher. Maybe I'm wrong to do this?[/quote] ""

Im sure you already figured it out but, for future reference, Max, the aliquots that are half the speaking length are tuned an octave higher, the ones where the speaking length is the same are tuned unison or a little higher. The aliquots in the newer pianos are only in the top section and can be more clearly heard than in the old ones and the are all unisons. It is often possible to disguise a false beat by carefully placing the aliquot. Always on the sharp side, though.

Those aliquot strings are tuned similarly as the "ballast" string in a common unison, just by changing the shape of the envelope of the tone (I mean no need to pluck the aliquot string unless it is grossly out of tune)

I feel the aliquot is there to embarrass the unison, by taking some energy from it it is energized. SO I trust RXD that it can help to hide a false beat

I'm loving the mental picture of an embarrassed unison!

Some of the old style aliquots were an embarrassment when they got old. It seemed to me that the brass post got loose in the bridge and didn't transfer the vibrations. They just went thunk when plucked and had no sustain. The new ones are audible and sustain as well as the struck strings and are not such an embarrassment to the unison. I, too, like that poetic way of saying it.

Hi Max (and all others, too),

you are getting a lot of good suggestions from other posters here. I would like to contribute by showing the difference between a well-tuned unison and a unison that is 2 cents off. I recorded my piano tonight, and here are the sound files:

First, I tuned the left and right strings of D4 to the center string with an electronic tuning device. After that, the unison sounded like this:
L/R strings tuned to center string, Reyburn Cybertuner

There is a little bit of sizzling partials there, so I checked the single strings. They sounded like this:
D4, strings one-by-one

The left string was indeed a bit "busy" in itself. I tweaked the unison aurally, and this is what I came up with:
L/R to center string, aurally

Then I detuned the right string +1 cent and the left string -1 cent, giving a unison that is 2 cents wide in its frequency range:
Detuning the unison: L -1 cent, R +1 cent

Can you hear how that unison "moans"? It sounds like there's an effect on it, like a chorus or flanger pedal used for guitars.

I tuned them back, and I post that file, too. You can hear how I'm working with the tuning hammer and with the hand hitting the keys. When the strings fall into place, the sound is longer, clearer and more powerful than if the strings do not couple with each other:
re-tuning the unison

This is the kind of sound you should be looking for in your unison tuning. Start listening for that long, clear, and calm sound, and you will soon start to find it in your own tunings!

Hope this helps,
Patrick

Patrick,Terveisiä Kazakhstana. Maksim erittäin mielelläni sinua ilmaisia ​​neuvoja. Halusin kysyä, miten pidit pianomusiikkia konsertissa?
Thank you for your message. Fortunately I understand things about "wrong-sounding in choirs." You have done a great job of creating these audio files. I will post them on my website. I hope this will be helpful in understanding the piano unison Russian-speaking beginners tuner.
Sincerely,

Originally Posted by Maximillyan

Patrick,Terveisiä Kazakhstana. Maksim erittäin mielelläni sinua ilmaisia ​​neuvoja. Halusin kysyä, miten pidit pianomusiikkia konsertissa?

Terve Max Pidin musiikista ja soittamisesta, mutta piano oli rehellisesti sanoen sellaisessa kunnossa että oli varmasti vaikeaa tehdä hyvää musiikkia sillä. Tätä huolimatta konsertti oli varmasti elämys kuuntelijoille, ja sehän on ehkä kuitenkin tärkein.

Translation from Finnish, the language Max adressed me in when he wrote his last post:



'Hi Max I liked the music and the playing, but honestly speaking the piano was in a shape that no doubt made it hard to make good music on it. This set aside, the concert was admittedly an experience to the audience, and that might be most important of all.'

Patrick,ymmärsin sinut. Temperamentti tulevaisuudessa yritän tehdä sen hyvin hyvä

BDB,I have nothing against you personally. If I am offended you, I apologize

Routine Max's days