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HI All

First post after being a long time lurker. I’m a 41 year old Adult Beginner of 3 months thats finally plucked up the courage to post.

I’m taking a 1 hour lesson, once a week and working through Accelerated Piano Adventures for the Adult Beginner. I try to practice as much as real life allows and make sure I at least get 15-30 minutes each day, even if its just to brush up on some scales or something.

My teacher says I’m picking up stuff pretty fast (generally I have all my homework perfected each week when I start my new lesson) but I have a few questions.

The first is, is it ok to be trying to play a piece that’s way above your current level, or is that an ineffective use of time? For example, one of my “goal” pieces is Beethoven’s Moonlight (cliché I know!) and I can already play through the first twenty bars or so of the first movement (I can hit the notes in reasonable time but obviously dynamics & musicality are non-existent most of the time).

Some of it I have found very difficult (the last beat at the end of the 5th bar for example took me a long time) considering the material I’m working through in the beginners book. I know in my heart of hearts that its probably quicker to learn these techniques through easier material and I’ll progress much faster through Moonlight having mastered those techniques first. At the same time it’s very motivational to me to be able to play something recognisable that I actually like, as opposed to the bastardised versions of songs you get in the beginners book.

Secondly, I can play most of the major scales in 2 octaves similar motion and contrary motion, but I’ve been wondering when the speed comes? What I mean is that while I have tackled progressively harder scales as I’ve gone along, I sort of expected that by the time I was able to play more than ten scales, the first of them (eg simple C Major) would be much quicker by now. Whereas in reality I’m finding I play them all pretty much the same tempo. If I try to force speed on even a simple C Major scale, my hands tend to go out of sync.

So I’m sort of wondering, does the speed just “happen” after many years of practice or should I be actively trying for more speed or am I better off hitting the correct notes rather than re-inforcing errors through trying to run before I can walk? FWIW my teacher says I’m doing fine and moving fast enough (I know I’m probably answering my own question here!!!).

Anyway, any help appreciated.

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Welcome "Out of Lurkdom," MickB!

I have ambivalence about tackling pieces that are too advanced. On the one hand, it's a long, frustrating slog, and you're inevitably going to be somewhat disappointed in the results. And some have warned that if you learn a piece incorrectly, it's extremely difficult or even impossible to relearn it correctly later on. (I personally think that if you let enough time lapse, you can relearn it without interference.)

Those are the arguments against tackling pieces you're not ready for yet. The argument FOR is that the heart knows what the heart knows, and if you're obsessed with trying a particular piece at this point at time, why not? You're more likely to stick with piano if you're loving what you're working on.

One of the reasons I started playing piano is because I loved new age music and wanted badly to play George Winston's "Longing/Love." I tackled it WELL before I was ready for it, worked months and months on it, and while I finally got a recording I was happy with, I recognize now that my time might have been more efficiently spent learning a greater number of less difficult pieces. That's why I tend to shy away from too advanced pieces now. There's plenty of other pieces that I love that I *am* capable of playing now.

Do I regret that early passionate affair with "Longing/Love", though? Not one bit. smokin


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Hi, Mick, how exiting that you’ve taken up piano. Good on you, mate!

First of all, you have to be patient with yourself. You didn’t mention if have any musical experience or if this is your first time at the rodeo. Learning piano, and all that goes with it, is a process. Unless you’re a prodigy, most of us mere humans, especially those of us who aren’t spring chickens anymore, take time to develop the skill. Some people learn faster than others but you should never compare yourself to anyone else.

Now, to answer the question that jumped out at me: do not push for speed at the expense of accuracy! Speed will come in time but you should strive for musical and timing precision as you work on a piece. It won't all come at once but it will come. It's a process, like building a structure. You have to have a solid foundation before you can build up. As you become more comfortable with each piece, your technique and muscle memory will help with the speed.

Something I like to do is to practice each hand separately and then put them together. That seems to speed up the process a wee bit. I also find that recording myself is a helpful method of critiquing and hearing which areas may need work.

There's nothing wrong with working on pieces that are beyond your current level. That's how we learn and grow ourselves, and besides that, it's always fun to ka-noodle around. smile However, I would advise against going too far advanced as it may discourage you.

Be sure you talk with you teacher about your concerns. He/she will give you guidance. Bottom line, be patient with yourself and have fun!

Last edited by PattyP; 02/04/13 10:49 AM.

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Originally Posted by PattyP
Hi, Mick, how exiting that you’ve taken up piano. Good on you, mate!

First of all, you have to be patient with yourself. You didn’t mention if have any musical experience or if this is your first time at the rodeo. Learning piano, and all that goes with it, is a process. Unless you’re a prodigy, most of us mere humans, especially those of us who aren’t spring chickens anymore, take time to develop the skill. Some people learn faster than others but you should never compare yourself to anyone else.


Sorry, I should have said......I'm a complete noob when it comes to playing piano (not strictly speaking true but I reckon that playing when I was 7 or 8 doesn't count, 30+ years of not touching a keyboard is zero musical experience in my book smile ). I'm sure I have a common story, always wanted to play, love music but could never find the time until one day............

Quote
Now, to answer the question that jumped out at me: do not push for speed at the expense of accuracy! Speed will come in time but you should strive for musical and timing precision as you work on a piece. It won't all come at once but it will come. It's a process, like building a structure. You have to have a solid foundation before you can build up. As you become more comfortable with each piece, your technique and muscle memory will help with the speed.


This is sort of what I figured. I've been reading Fundamentals of Piano Pratice which preaches much the same things.

Quote
Something I like to do is to practice each hand separately and then put them together. That seems to speed up the process a wee bit. I also find that recording myself is a helpful method of critiquing and hearing which areas may need work.

There's nothing wrong with working on pieces that are beyond your current level. That's how we learn and grow ourselves, and besides that, it's always fun to ka-noodle around. smile However, I would advise against going too far advanced as it may discourage you.


Yeah, I've decided not to tackle the 3rd movement yet wink

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Be sure you talk with you teacher about your concerns. He/she will give you guidance. Bottom line, be patient with yourself and have fun!


I have and she is awesome. I guess its always worth checking the opinions of others and I couldnt think of another way to introduce myself wink

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Hahaha been there done that! While there's no lasting harm done by learning advanced pieces, you might get sick of the enormous task to read through those materials. But that's something many of us did. I'm now happy not tackling with too big a piece since I have a full time work. Good luck with your study.

As for scales, that's just a constant work. I started putting it to the slowest setting started 1 note for 1 tick, proceeding to 2 nites, 3 notes, and eventually 4 notes to a click. And the gradually up the speed. You can speed up from the beginning but it gotta be smooth. You don't want to have it sound like a trainruck do you? Smooth means it should sound like even steven with the same volume without your thumb making thuds or 4th finger hitting silent note or both hands not in unison. So it requires patience for anyone. I only knew a few who did not need to do it too much because they learned to play smoothly by just learning their pieces.

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Two months after starting to learn the piano, with Alfred's Basic Adult Course and matching Christmas songs, I started working on a piece that I love but knew was too advanced (early intermediate, I guess, but that's hard to say as a beginner). Progress was slow but very very rewarding. After all, you are playing music that you love. It's a great motivator, also to keep working on easier stuff from the lesson methods.

I learned some decent technique, but the end result was pretty sloppy overall. Some things came naturally, others I found to be impossible. When you hit such a brick wall, you got to know when it's time to move on to easier material, and leave the advanced piece for later. Still, it can be fun to work on harder stuff every now and then. I don't think learning piano is a linear process. There are lots of things to learn side-by-side; posture, relaxed playing, note reading, sight reading, dynamics, harmony (pressing two or three keys at the exact same time is HARD), playing with company or while recording, etc. Some music is far too complicated to pick up early, or too fast to play with untrained fingers, but I found I really didn't need to learn about the scale of A minor before I could play an arpeggio smile

A year later I'm relearning the piece. It's still mostly memorized. Several parts needed fixing. One part is still too bloody difficult. I didn't find relearning to be particularly hard, though. Just sit down and work slowly through the relevant bits, this time with proper fingering and motion, repeating until you don't accidentally use the old way any more.


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Perhaps that discussion will help as well http://www.pianostreet.com/smf/index.php?topic=49858.0

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Quote

. . . The argument FOR is that the heart knows what the heart knows, and if you're obsessed with trying a particular piece at this point at time, why not? You're more likely to stick with piano if you're loving what you're working on. . .


You should walk the established path. But that doesn't mean that you can't look at the scenery ahead of you.

I've had two "This piece is too hard!" experiences recently. And I hope I keep having them, forever. It keeps life interesting.

. charles


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>The first is, is it ok to be trying to play a piece that’s way above your current level, or is that an ineffective use of time?

"too advanced" is never good. But a lot above your current level is OK I think. I think that the more intelligent and persistent you are, the more above your current level you can handle. And I think it's always best to work on some "real thing" that you like, much more than working on something just because you need to learn something before going for the "real thing". You have to determine yourself how persistent you are and what you can do in that time. What you really want to avoid is having to drop a piece after several months because you can't do it.


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Mickb, re taking on pieces beyond your abilities. This comes up all the time and you will get lots of different opinions. Ultimately, you have to judge if it is worth your time and effort.

I wrote the following in response to a similar post almost exactly three years ago...

Originally Posted by JimF
My experience with trying to play a piece (Claire de Lune) that was way beyond my current level led me to a few conclusions:

1. It is possible to play a piece beyond your level but the learning will be mostly rote memorization (because beginners don't "read" complex scores) and will take up significant chunks of practice time over an extended period. The result will sound great to the beginner, but not so great to most everyone else that has a clue.

2. You may injure yourself trying to replicate techniques that you've not built the proper base for, like big stretches or repeated octaves.

3. Most importantly, you will take time away from learning at your current level. Even if you only spend 20 minutes a day on the hard piece, thats more than 20 percent of a one-and-a half hour daily practice session. In a very real sense, that puts you 20% BEHIND where you would be had the harder piece never been attempted. Because not much of all that rote memoriztion will be useful in your future pieces, it will be that much longer before you can really play a piece at the higher level.

Everyone has different goals and objectives, so my conclusions may not be useful to you.
But when I really thought about it, what I wanted most was to improve so that some day I could actually play CDL and not just pretend I could play it. Taking it on too soon was keeping me from that objective.



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The thing is if you learn other pieces then come back, the steepness of the difficulty maybe considerably lower.

Myself I wanted to play some uber classics which were listed as grade 5 and 7 pieces, Turkish March for instance.

I struggled to get even 3 bars..

I bode my time learning other pieces and general all round piano goodness and those uber pieces seem achievable. 47 lessons in I can play all of Casio's D rated pieces, but not quite the E pieces.

What would have taken me weeks to learn takes me a couple of attempts right then polishing for expression.

Plus trying and failing the uber pieces can knock your confidence considerably and you may well give up.

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Originally Posted by Mickb
The first is, is it ok to be trying to play a piece that’s way above your current level, or is that an ineffective use of time?

Secondly, I can play most of the major scales in 2 octaves similar motion and contrary motion, but I’ve been wondering when the speed comes? What I mean is that while I have tackled progressively harder scales as I’ve gone along, I sort of expected that by the time I was able to play more than ten scales, the first of them (eg simple C Major) would be much quicker by now. Whereas in reality I’m finding I play them all pretty much the same tempo. If I try to force speed on even a simple C Major scale, my hands tend to go out of sync.

So I’m sort of wondering, does the speed just “happen” after many years of practice or should I be actively trying for more speed or am I better off hitting the correct notes rather than re-inforcing errors through trying to run before I can walk? FWIW my teacher says I’m doing fine and moving fast enough (I know I’m probably answering my own question here!!!).

Anyway, any help appreciated.


Playing something way too advance has no benefits. It actually could make it extremely hard to learn it correctly at a later time when your technique is finally there as you will certainly learned it all wrong, but it's been burned into your system. If you must play the 1st movt of Moonlight Sonata, then go for it. You will completely slaughter it for sure, but you have plenty of company along with all the other beginners out there who can't wait to play a famous piece of music. grin

As for speed, yes, go slow, speed just happens. If you push yourself out of sync, that's bad. Scales with two hands should not sound like two hands. They should be perfectly together. Once you are used to hearing yourself out of sync because you are pushing too hard, then you'll get used to it and it affect everything you do. If your ears are willing hear sloppy scales, then those same ears will accept sloppy repertoire. My teacher always says it is possible to achieve perfection in technical exercises, and that is your goal. Do not give up perfection for speed.

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Originally Posted by JimF

1. It is possible to play a piece beyond your level but the learning will be mostly rote memorization


I believe that's a good thing (maybe I don't understand what you want to say here?)

Originally Posted by JimF

2. You may injure yourself trying to replicate techniques that you've not built the proper base for, like big stretches or repeated octaves.

Yes but you always have that risk if you are learning something new, you're just doing it now accelerated so you have to be more careful.

Originally Posted by JimF

3. Most importantly, you will take time away from learning at your current level.


I don't believe this. To play it well, you HAVE to learn everything that the piece needs. You just have to learn a lot more if the piece is further from your current level.

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Mickb,

[SIGH]

As I said....

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....you will get lots of different opinions


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...Ultimately, you have to judge...


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..My experience with trying... led me to a few conclusions...


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...Everyone has different goals and objectives, so my conclusions may not be useful to you



I thought I put in enough disclaimers to make it clear that you'd have to judge it for yourself anyway. But I guess not.

So here's one more.. People will disagree.

Sigh...







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JimF you are completely wrong and I disagree. With everything you said and with you in general.

grin


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We've all been there, as the responses to this thread illustrate. For some people, a very lucky few, playing pieces above their ability seems to work. They may spend months or years learning them, and not be able to play them as well as they hoped, but there are a few people who have done it and demonstrated it here.

Doesn't work for me. If I can't make reasonable progress on something in a few weeks or a month I set it aside for later. I did that recently with the Brahms 118 #2. The middle section calls for skills I do not have right now, so I will have to come back to it some other time.

By sticking to pieces within my skill level, I have gradually gotten better, and I have a long list of pieces I have played in the quarterly recitals that I am proud of. That works for me. I am in this for the long haul, not the quick gratification. What's the rush? It's about the journey, not the destination.

Another thing to think about - if you have only 30 minutes a day, then maybe you want to rethink tackling the hard pieces right now. The few that have been successful at tackling pieces above their ability are obsessive about practicing.

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Another thing to think about - if you have only 30 minutes a day, then maybe you want to rethink tackling the hard pieces right now. The few that have been successful at tackling pieces above their ability are obsessive about practicing.

Sam

This is an important point. As a piano newbie, pieces that at too advanced will suck up all of your available time. As for speed vs. accuracy, think about how you judge a performance: if it's played at 80% of tempo, that's tolerable; 'at tempo' often is a range, anyway. But nobody thinks hitting the right keys 80% of the time is okay.

I can understand the urge to play the cool pieces that are currently too advanced. Probably most everyone does that at some point (me included). But there's something to be said for holding off doing that until you have some time at the piano under your belt and have at least some of the fundamentals in hand. You're in this for the long haul, right?


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Originally Posted by Sam S
By sticking to pieces within my skill level, I have gradually gotten better, and I have a long list of pieces I have played in the quarterly recitals that I am proud of. That works for me. I am in this for the long haul, not the quick gratification. What's the rush? It's about the journey, not the destination.


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It may take a bit of listening for them all to grow on you, but I'd recommend listening to more and more piano pieces (both "easy" and "hard") and as your tastes grow and develop over time, you'll likely come to find that there are plenty of easier pieces even by such favorite composers as Beethoven that are [almost] as musical and certainly far more approachable as you grow and develop as a musician.

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Originally Posted by JimF
My experience with trying to play a piece (Claire de Lune) that was way beyond my current level led me to a few conclusions

Were you yet another Hugh Sung "From Scratch" victim? smile

We should start a "Clair de Lune Over-Reachers" club since this seems to be a favorite for beginners with great ambition...

Just curious -- have you tried it again now that several years have passed? I figure if you're doing Moonlight Sonata, you are in the general neighborhood of capabilities.


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