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#2062435 - 04/10/13 03:27 PM Re: Which pianist had the largest performing repertoire? [Re: pianoloverus]
Polyphonist Online   content
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Registered: 03/03/13
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Rubinstein never recorded the complete Etudes because he felt there were a few that he could never do justice to. The same thing was true for Horowitz.
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#2062456 - 04/10/13 04:49 PM Re: Which pianist had the largest performing repertoire? [Re: pianoloverus]
BDB Online   content
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Most pianists of that era felt that they could not do justice to all of the etudes. Nobody felt they could top Lhevinne for the etude in double thirds, for instance, so they did not program it.

Today there are plenty of pianists who cannot play most of them particularly well musically, but feel obliged to play them all, anyway.
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#2062606 - 04/10/13 10:01 PM Re: Which pianist had the largest performing repertoire? [Re: BDB]
Polyphonist Online   content
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Originally Posted By: BDB
Most pianists of that era felt that they could not do justice to all of the etudes. Nobody felt they could top Lhevinne for the etude in double thirds, for instance, so they did not program it.

Today there are plenty of pianists who cannot play most of them particularly well musically, but feel obliged to play them all, anyway.


Lhevinne's chromatic third technique is astounding even today. smile
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#2065800 - 04/17/13 01:27 AM Re: Which pianist had the largest performing repertoire? [Re: pianoloverus]
fledgehog Offline
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Registered: 01/09/11
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Don't know if it' a definitive answer, but I figure Garrick Ohlsson is worth a mention. I believe he has over 80 concerti in his repertoire. He's also recorded the complete works of Chopin, the entirety of the Beethoven sonatas, the entirety of Weber's sonatas, all the Scriabin etudes, the Goldberg variations, substantial amounts of Liszt and Rachmaninoff, the Debussy etudes, a CD of 20th century composers including Bartok, Webern, and I think a few others, and I'm sure a ton of others that have slipped my memory/I'm simply not aware of. And that's just his recorded stuff - he's recorded a fairly small amount of what he's played (for instance, he regularly programs Schubert but no recordings exist of his Schubert).

Artur Rubinstein's repertoire was also rather expansive, although the lack of baroque and his tendency to gravitate towards more conservative/"safe" 20th century repertoire held him back. He (and Horowitz to an extent as well) did give exposure to some composers whose piano pieces weren't given much attention otherwise, like Villa-Lobos and Poulenc, which is admirable. Also similar to Horowitz, he seemed to be less creative and stick more to the warhorses in his old age.

I'd also say Glenn Gould's repertoire was rather extensive, although he played a lot of it begrudgingly and sarcastically (like his dreadful Mozart and Chopin op. 58 recordings).


Edited by fledgehog (04/17/13 01:28 AM)

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