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#2104575 - 06/18/13 06:42 PM Re: Equal temperament [Re: Ed Foote]
Minnesota Marty Offline

Platinum Supporter until October 5 2014


Registered: 05/15/12
Posts: 7439
Loc: Rochester MN
Originally Posted By: Ed Foote
It may also be due to the subliminal effects of dissonance still at work, after all these years...

Ah Yes -- And one of the reasons we still have war and conflict. Sometimes tradition overcomes reason. (No, that is not a lead in for ET enthusiasts!)
_________________________
Marty in Minnesota

It's much easier to bash a Steinway than it is to play one.

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#2104754 - 06/19/13 06:10 AM Re: Equal temperament [Re: Minnesota Marty]
DoelKees Offline
1000 Post Club Member

Registered: 05/01/10
Posts: 1761
Loc: Vancouver, Canada
Originally Posted By: Minnesota Marty

Why would Bach write the Well Tempered Clavier if not to demonstrate that a keyboard could be tuned to accommodate all keys?

Perhaps to demonstrate very remote keys don't sound very good in a strong WT? Perhaps to show you need to retune the instrument on a different key center for for example C# major? Or, most likely to me, because it was a fashionable thing at the time to write collections of compositions in all keys. Eg Schickhard produced a set of 24 sonatas in all keys.

Perhaps. All I know for sure is nobody knows for sure why he wrote it.

Kees

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#2104808 - 06/19/13 10:08 AM Re: Equal temperament [Re: DoelKees]
Ed Foote Offline
1000 Post Club Member

Registered: 05/03/03
Posts: 1228
Loc: Tennessee
Originally Posted By: DoelKees
Originally Posted By: Minnesota Marty

Why would Bach write the Well Tempered Clavier if not to demonstrate that a keyboard could be tuned to accommodate all keys?

Perhaps to demonstrate very remote keys don't sound very good in a strong WT? Perhaps to show you need to retune the instrument on a different key center for for example C# major? Or, most likely to me, because it was a fashionable thing at the time to write collections of compositions in all keys. Eg Schickhard produced a set of 24 sonatas in all keys.
Perhaps. All I know for sure is nobody knows for sure why he wrote it.
Kees


Greetings,
I don't think it was written to show the need to retune, since playing the C# prelude on the most consonant center makes it a dull, lifeless piece. Many of those "strong" keys provide a beauty that isn't available without contrasts of harmonic values.

What is important is that we know all the plausible possibilities inre temperament, that Bach could have considered. And now, for the first time in history, we can listen to his compositions performed on all these varied approaches and make a value judgement based on our own tastes. Thus, rather than rejecting a temperament on theoretical grounds, we have to expose ourselves to the music and say what we prefer. I haven't heard more than 10 percent of listeners prefer Bach's music performed in ET when given a side by side choice with a WT, ( and I have presented this choice numerous times to classes of technicians and music teachers).

Try them all, make a choice, it is the way that the modern world offers a route to expand our horizons. Trying to ascertain what Bach had in mind by logical reason will only go so far, then we have only to describe our own sensual response. But, that is why music exists.
Regards,


Edited by Ed Foote (06/19/13 10:09 AM)

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#2104937 - 06/19/13 03:56 PM Re: Equal temperament [Re: Ed Foote]
Mwm Offline
500 Post Club Member

Registered: 02/20/13
Posts: 752
Ed. Well said. A fitting end to this discussion one would hope..

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#2104939 - 06/19/13 03:57 PM Re: Equal temperament [Re: Loren D]
Unequally tempered Offline
Full Member

Registered: 01/11/11
Posts: 149
Loc: UK
Hi!

In a good unequal temperament C# provides a key in which thinks can skate, as on ice, without foundation or sticking harmonically together. B major too.

The whole point about Bach's well tempered tuning was that each key was equally usable, not necessarily that each key was exactly the same.

Look up YouTube Chopin 24 preludes unequal temperament for how all keys are playable but all sound a little different.

The contrast for Bach was meantone, in which 4 major keys are most definitely unplayable. That contrast was a good temperament in which all keys were playable, not equal temperament in which they all sound the same

Best wishes

David P
_________________________
_______________________________
David Pinnegar, B.Sc., A.R.C.S.
- East Grinstead, Sussex, UK -
- http://www.organmatters.com -
_______________________________
Restoring life to music . . . and music to life . . . and a good deal more!

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#2105048 - 06/19/13 08:30 PM Re: Equal temperament [Re: Loren D]
BDB Offline
Yikes! 10000 Post Club Member

Registered: 06/07/03
Posts: 21810
Loc: Oakland
The Chopin Preludes all sound different no matter what the temperament!

I suppose one could take a piece and transpose it into 12 different keys, and show that there is a difference, but I suspect most people would notice the difference in pitch. Or someone with a lot of time on their hands could tune the piano starting with a different pitch 12 times, and play the same piece over and over, showing the different colors that it makes. Even so, I think most people would get bored pretty quickly.
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Semipro Tech

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