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#2131707 - 08/12/13 11:32 AM general thanks
Michael Sayers Offline
2000 Post Club Member

Registered: 02/15/13
Posts: 2308
Loc: Stockholms län, Sverige
I want to thank everyone including Steve Chandler, Nikolas Sideris and Polyphonist, for encouraging me to both engrave music with computer software, and for the much helpful observation and criticism from everyone including Kreisler, Scott, Bosendorff, Axtremus, et al.! It is a bit time consuming to enter the music with the software, but I can see that it helps with presentation and also to clarify what is really exact notation for certain things.

There is one other concern which is with tuplets across barlines.

I assume that apart from obvious engraving errors this type of layout is fine?




M.
_________________________
Mvh,
Michael

http://www.michaelsayers.com/

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#2131730 - 08/12/13 12:02 PM Re: general thanks [Re: Michael Sayers]
PianoStudent88 Offline
3000 Post Club Member

Registered: 06/16/11
Posts: 3632
Loc: Maine
To me that shows the RH of m. 25 to have 3 1/3 beats (2 + 4/3), and m. 26 to have 2 2/3 beats. I would rather see an eighth note triplet with a tie for the notes crossing the barline.



I will be interested to see other people's opinions.
_________________________
Elie Wiesel, 1928-2016.

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#2131743 - 08/12/13 12:14 PM Re: general thanks [Re: Michael Sayers]
Kreisler Offline


Registered: 11/27/02
Posts: 13837
Loc: Iowa City, IA
I like Pianostudent88's solution, and you might consider something similar to the 1st two beats as well (using 8th note triplets with ties the whole way through.)
_________________________
"If we continually try to force a child to do what he is afraid to do, he will become more timid, and will use his brains and energy, not to explore the unknown, but to find ways to avoid the pressures we put on him." (John Holt)

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#2132200 - 08/13/13 10:01 AM Re: general thanks [Re: Kreisler]
Michael Sayers Offline
2000 Post Club Member

Registered: 02/15/13
Posts: 2308
Loc: Stockholms län, Sverige
Thanks for the solution PianoStudent88 and Kreisler - I hadn't thought of that (same as for the one with the other post involving 11/8)!

So then the consensus is that a tone always has to be tied across a barline in this type of instance?

To have each staff in a different time signature for those bars or similar groups of bars, such as 6/4 or 9/4 with the treble clef depending on the number of beats involved, and 3/4 with the bass clef, isn't advised as a possible solution?

M.
_________________________
Mvh,
Michael

http://www.michaelsayers.com/

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#2132283 - 08/13/13 01:41 PM Re: general thanks [Re: Michael Sayers]
PianoStudent88 Offline
3000 Post Club Member

Registered: 06/16/11
Posts: 3632
Loc: Maine
I suppose theoretically you could use different time signatures in top and bottom, but it would be highly unusual, and would hinder rather than help the musician in figuring out how the top and bottom parts interact. The given triplets solution seems like a clear solution, without the need for the extreme measure (no pun intended) of vertically mixed time signatures.

Do you have an example of vertically mixed time signatures in the literature? It would be interesting to see the circumstances in which composers have used such an innovation.

I speak as an avid lover of musical notation and the principles behind it. Unlike Nikolas and Kreisler, I don't have experience publishing music. So I speak from what I have seen, read, and studied.
_________________________
Elie Wiesel, 1928-2016.

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#2132289 - 08/13/13 01:49 PM Re: general thanks [Re: Michael Sayers]
PianoStudent88 Offline
3000 Post Club Member

Registered: 06/16/11
Posts: 3632
Loc: Maine
Nikolas and Kreisler, I'm just guessing that someone, somewhere, has used vertically mixed time signatures. But maybe not. Have you ever seen such a thing? Might you ever consider using such a thing?
_________________________
Elie Wiesel, 1928-2016.

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#2132296 - 08/13/13 01:56 PM Re: general thanks [Re: Michael Sayers]
Nikolas Online   content
6000 Post Club Member

Registered: 11/26/07
Posts: 6341
Loc: UK
Yes, it can be used, but I'll repeat once more that Michael's works do not require such radical means! I mean it's just 2 bars, where he uses 3 against 2... Your solution is perfectly fine.

This is why I object in the other threads, to overdo the complexity of the score... :-/
_________________________
http://www.musica-ferrum.com

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#2132303 - 08/13/13 02:03 PM Re: general thanks [Re: Michael Sayers]
Kreisler Offline


Registered: 11/27/02
Posts: 13837
Loc: Iowa City, IA
I'm in total agreement with Nikolas. Yes, vertically mixed time signatures are found but no, they're not required in what we've seen of Michael's works.
_________________________
"If we continually try to force a child to do what he is afraid to do, he will become more timid, and will use his brains and energy, not to explore the unknown, but to find ways to avoid the pressures we put on him." (John Holt)

www.pianoped.com
www.youtube.com/user/UIPianoPed

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#2132331 - 08/13/13 02:41 PM Re: general thanks [Re: Michael Sayers]
PianoStudent88 Offline
3000 Post Club Member

Registered: 06/16/11
Posts: 3632
Loc: Maine
I agree too. I wanted to at least give vertically mixed time signatures a consideration, just for the sake of theoretically thinking about them -- and then clearly see their complexity, and why the triplets are better. I've been thinking about vertically mixed time signatures ever since reading a sentence about renaissance music and as part of their explorations into ever more involved patterns, some composers composed music with different meters in the different voices. I don't know if we'd ever notate it that way now (and I'm not sure if back then they used things analagous to our current time signatures), but I would love to see some of those polyphonic pieces written out with vertically mixed time signatures.
_________________________
Elie Wiesel, 1928-2016.

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#2132430 - 08/13/13 05:49 PM Re: general thanks [Re: Michael Sayers]
Bosendorff Offline
500 Post Club Member

Registered: 08/11/12
Posts: 633
Originally Posted By: Michael Sayers
I want to thank everyone including Steve Chandler, Nikolas Sideris and Polyphonist, for encouraging me to both engrave music with computer software, and for the much helpful observation and criticism from everyone including Kreisler, Scott, Bosendorff, Axtremus, et al.!


Truly my pleasure if I could be of any help, even if it was infinitesimal. smile Finale is really a great software.
_________________________

Dampp Chaser electronic controller

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#2132616 - 08/14/13 03:33 AM Re: general thanks [Re: Michael Sayers]
Derulux Offline
5000 Post Club Member

Registered: 06/06/05
Posts: 5446
Loc: Philadelphia
While unconventional, I think you can leave it as written. However, I do like the solution presented. Another option could be to convert the two measures into one 6/4 measure.
_________________________
Every day we are afforded a new chance. The problem with life is not that you run out of chances. In the end, what you run out of are days.

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#2133314 - 08/15/13 11:40 AM Re: general thanks [Re: Michael Sayers]
stumbler Offline
Full Member

Registered: 12/22/10
Posts: 362
Loc: Toronto
Michael,

I may have missed something obvious, but is 9/8 a possibility?

[img]https://app.box.com/s/raaws8m5pmxcqy2zhi8e[/img]

(sorry, I can't seem to get box to give me a proper "typed" link without upgrading to the paid version)


Edited by stumbler (08/15/13 12:05 PM)
Edit Reason: adjust link

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#2133440 - 08/15/13 04:08 PM Re: general thanks [Re: stumbler]
Michael Sayers Offline
2000 Post Club Member

Registered: 02/15/13
Posts: 2308
Loc: Stockholms län, Sverige
Originally Posted By: stumbler
Michael,

I may have missed something obvious, but is 9/8 a possibility?

[img]https://app.box.com/s/raaws8m5pmxcqy2zhi8e[/img]

(sorry, I can't seem to get box to give me a proper "typed" link without upgrading to the paid version)


Thanks stumbler, that is an idea I hadn't thought of. I am leaning toward using the tied eighth notes across the bar lines with the 3/4.

M.
_________________________
Mvh,
Michael

http://www.michaelsayers.com/

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