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#2163321 - 10/08/13 08:13 AM Play It Again by Alan Rusbridger
Sam S Offline
1000 Post Club Member

Registered: 12/12/07
Posts: 1474
Loc: Georgia, USA
This book just became available in the US, although it's been out in the UK for quite a while, and I thought I would share my thoughts on it.

I didn't think I would like it, but I was pleasantly surprised. I thought it was yet another account of an amateur pianist tackling a piece beyond their abilities, and we see plenty of that at Piano World, and, with the rare exception, it ends badly. Rusbridger takes on the Chopin 1st Ballade in g minor opus 23, a difficult piece to be sure. There is one forum member that I know of who has successfully played the ballade and did a very good job of it - Sam Rose.

Rusbridger is definitely not a beginner though, but a re-starter, like so many here (myself included). And he seems to have a high level of skill at sight reading, since he regularly takes part in 4 and 8 hand playing sessions of transcriptions of orchestral works. He also does accompanying, and attends a summer music camp in France.

Working against him is his demanding work schedule. He tries to practice 20 minutes a day, but rarely is able to string more than a few days in a row together.

He does achieve his goal of playing the ballade for a group of friends, but it takes him eighteen months.

The value of the book, and what made it interesting for me, are the interviews and lessons he has with famous pianists. Rusbridger is what we call in the States, "a powerful and influential member of the media". He is able to talk to, and ask questions of, people like Emanuel Ax, Murray Perahia, Stephen Hough, Daniel Barenboim and others. I might even be able to play the ballade if I had that kind of encouragement! He also has lessons from multiple teachers. By the end of the book he has two grand pianos, a Fazioli and a Steinway!

But, as my mother always told me, "don't envy the rich" - he also has a demanding job with lots of pressure.

So the book is inspiring and a good read. The comments and insights by the professionals are the best part.

An annotated score of the ballade, including many of the professional comments, is available at Rusbridgers web site. Very interesting reading.

So am I now going to tackle the g minor ballade? Probably not anytime soon. I prefer to work on pieces within my ability or slightly above my level - there is plenty of challenge there and some beautiful music.


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#2163475 - 10/08/13 01:40 PM Re: Play It Again by Alan Rusbridger [Re: Sam S]
neuralfirings Offline
Full Member

Registered: 07/29/13
Posts: 211
+1 I read about his project before the book was available in the US and that partially inspired me to work on the Ballade. It's definitely an interesting read, though I actually find his posts on his job more interesting than his writings about the piano. It's a sneak peak behind the scenes at WikiLeaks and Arab Spring!
Working on Chopin E Minor Concerto (2nd Mvt), Bach C Minor Fugue (WTC I), and others.

#2163481 - 10/08/13 02:00 PM Re: Play It Again by Alan Rusbridger [Re: Sam S]
FarmGirl Offline

Silver Supporter until Jan 02 2013

Registered: 09/14/10
Posts: 2081
Loc: Scottsdale, AZ
I have the book too. I think you have enough skill set to try it with the right guidance. It seems to take a long time and perseverance. In my teacher's studio currently two people are working on the Ballade. I hear them every week in our studio. It seems to take 1 year and half or two years to get it sound beautiful. One of them is a very musical 19 years old student with only a few years in piano. The other is a lady who just retired and therefore have long hours to practice. She is a mortal like me but has 10 years over me in piano. I don't have that type of talent, persistence nor time at this point of life. 20 min won't get me learn the piece. The lady I call P here is getting better and better on her Ballade. Not like Alan, she says she wouldn't have thought about trying it when she was working. I will pick it up when I retire.
Solo - Rachmaninoff Elegie Op 3 #1, Schumann Op 12 Warum, Grillen and a few short pieces by various composers
Collaboration - Concerto in C for Oboe and orchestra attributed to Haydn edited by Evelyn Rosewell and some duets


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