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#2175185 - 11/01/13 07:40 AM Double stem - up & down ¼-⅛ ???
Johnny D Offline
Full Member

Registered: 08/10/11
Posts: 189
Loc: Brazil




I'm confused because the G note in the treble clef looks like a quarter and an eighth note at the same time.

Could someone please explain what this means and how to play it?

Thanks


Edited by Johnny D (11/01/13 08:16 AM)
Edit Reason: Added longer photo
_________________________
Dittrich Piano ~ 1978
Graduate - Alfred's Book 1
Suzuki Volume 1
Masterwork Classics 3
Alfred's Level 2

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#2175193 - 11/01/13 08:04 AM Re: Double stem - up & down ¼-⅛ ??? [Re: Johnny D]
wouter79 Offline
3000 Post Club Member

Registered: 02/14/10
Posts: 3704
Two voices, one with up stems and one with down stems, use the same note.
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#2175196 - 11/01/13 08:12 AM Re: Double stem - up & down ¼-⅛ ??? [Re: wouter79]
Johnny D Offline
Full Member

Registered: 08/10/11
Posts: 189
Loc: Brazil
So then I just play it like a quarter note?
_________________________
Dittrich Piano ~ 1978
Graduate - Alfred's Book 1
Suzuki Volume 1
Masterwork Classics 3
Alfred's Level 2

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#2175201 - 11/01/13 08:20 AM Re: Double stem - up & down ¼-⅛ ??? [Re: Johnny D]
zrtf90 Offline
2000 Post Club Member

Registered: 02/29/12
Posts: 2525
Loc: Ireland (ex England)
Yes, the G is held while you play the B.
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Richard

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#2175203 - 11/01/13 08:28 AM Re: Double stem - up & down ¼-⅛ ??? [Re: Johnny D]
Johnny D Offline
Full Member

Registered: 08/10/11
Posts: 189
Loc: Brazil
Okay, thanks you two for the help. smile
_________________________
Dittrich Piano ~ 1978
Graduate - Alfred's Book 1
Suzuki Volume 1
Masterwork Classics 3
Alfred's Level 2

Top
#2175207 - 11/01/13 08:32 AM Re: Double stem - up & down ¼-⅛ ??? [Re: Johnny D]
Andy Platt Offline
2000 Post Club Member

Registered: 04/28/10
Posts: 2426
Loc: Virginia, USA
Although you will hold it for the full quarter note value, you will try to shape the phrase as part of the melody (8th note). If you are feeling really good, you should also phrase the second F (quarter note) inner voice with that same G.

It's at points like this that my head explodes. Luckily you can usually get away with just making it sound like part of the melody without any real loss - but the pros, they will voice it 100%!
_________________________
  • Schumann - Ende vom Lied, Opus 12.8
  • Haydn - Sonata in Gm, Hob. XVI/44

Kawai K3

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