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#2197685 - 12/14/13 08:01 PM playing trills
adultpianist Offline
500 Post Club Member

Registered: 12/01/12
Posts: 539
who likes playing trills or ornaments as some people call them? I want to get better so I am deliberately chosing pieces which contain trills.

grin

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#2197773 - 12/14/13 11:11 PM Re: playing trills [Re: adultpianist]
ElleC Offline
Full Member

Registered: 03/12/13
Posts: 248
Loc: NJ, USA
They can be a b*tch to learn but it really does add something to a song. I usually don't add the trills until I'm comfortable playing the entire piece without. At least that's how I've learned it. Anyone else learn ornamentation differently?
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#2197819 - 12/15/13 03:33 AM Re: playing trills [Re: adultpianist]
wouter79 Offline
3000 Post Club Member

Registered: 02/14/10
Posts: 3246
Yes I like them smile
Baroque music is filled with them. Check Couperin, he takes the first 6 pages to explain all the ornaments.

I usually add them directly. It's part of the interpretation how you want to play them. Even with all the explaintions, there are still choices as usual.

But yes it is good to leave them out first, to get a better idea of the melody line of the music. Because of my direct adding, they sometimes get too much emphasis if they shouldn't
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#2197849 - 12/15/13 07:24 AM Re: playing trills [Re: wouter79]
Ragdoll Offline
500 Post Club Member

Registered: 11/03/12
Posts: 617
Loc: Illinois
Quote:
But yes it is good to leave them out first, to get a better idea of the melody line of the music.


And sometimes leave them out period IMO. At least an excess of them. I have heard so many "interpretations" with an abundance of ornamentation that it nearly obscures the melody completely.

Reminiscent of scat singing the "National Anthem". Like that I mean. Judicious use of them can enhance music certainly just as excessive use can ruin a great composition and performance. frown

Disclaimer: This opinion is not directed to wouter79 specifically or anyone else here, just an observation and IMHO. smile
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#2197851 - 12/15/13 07:33 AM Re: playing trills [Re: adultpianist]
Saranoya Offline
Full Member

Registered: 01/27/13
Posts: 474
Loc: Brussels, Belgium
Trills were probably easier to do on the instruments Baroque music was written for than they are on a modern piano. Hence their overabundance in the music of that time, I suppose.

Chopin liked them a lot, too, and he wrote for the modern piano (well, close enough), but he was also a very skilled pianist.

My teacher always tells me to postpone adding trills until I have a piece down pat. Sometimes, I listen laugh.
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#2197997 - 12/15/13 02:54 PM Re: playing trills [Re: adultpianist]
earlofmar Online   content
1000 Post Club Member

Registered: 03/21/13
Posts: 1119
Loc: Australia
I will like them better when my ring finger decides to get serious
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#2198041 - 12/15/13 03:54 PM Re: playing trills [Re: earlofmar]
lautreamont Offline
Junior Member

Registered: 12/07/13
Posts: 16
I'm getting more and more comfortable with them as I get practice. A week ago I was flustered in Chopin, because there were many mordents that required the 3+4 fingers. My fingers simply couldn't do it up to speed, or, once they were up to speed, they were far too loud, but, a week later, after daily practice, they're much better, although far from perfect. I'm not daunted when I come across them, at least.

Like everything with the piano, it's something that boils down to practice.

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#2198661 - 12/16/13 04:30 PM Re: playing trills [Re: adultpianist]
wouter79 Offline
3000 Post Club Member

Registered: 02/14/10
Posts: 3246
ring finger (4th) is very poor with fast repeats and trills. Luckily in 99% of the cases you can work around it. I remember one place where I needed to keep another note down with 1. All other trills were with 1,2,3.

Mordents with 4 are much easier because it does not require repetition.
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#2198810 - 12/16/13 08:29 PM Re: playing trills [Re: adultpianist]
Stubbie Offline
Full Member

Registered: 12/16/10
Posts: 337
Loc: Midwest USA
For those of you who leave adding the trills/ornaments until last, is it hard to "unlearn" the no-frills version and insert the trill/ornament?
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#2198825 - 12/16/13 09:15 PM Re: playing trills [Re: Stubbie]
Derulux Offline
5000 Post Club Member

Registered: 06/06/05
Posts: 5067
Loc: Philadelphia
Originally Posted By: Stubbie
For those of you who leave adding the trills/ornaments until last, is it hard to "unlearn" the no-frills version and insert the trill/ornament?

Depends on your technique and ability levels. I can do this either way, but I typically find adding specific notes (as opposed to ad-libbing) more difficult than subtracting (on the fly, especially).

If, however, you have difficulty discerning "important" notes, you might find subtracting nearly impossible, but you might be far better at adding.

Just depends.. smile
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#2198862 - 12/16/13 11:00 PM Re: playing trills [Re: adultpianist]
plbpusa Offline
Junior Member

Registered: 01/18/13
Posts: 10
Loc: FL USA
I agree. Practice makes perfect! Merry Christmas smile

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#2198952 - 12/17/13 04:06 AM Re: playing trills [Re: Stubbie]
sinophilia Offline

Gold Supporter until Sept. 05 2014


Registered: 06/26/12
Posts: 900
Loc: Italy
Originally Posted By: Stubbie
For those of you who leave adding the trills/ornaments until last, is it hard to "unlearn" the no-frills version and insert the trill/ornament?


It shouldn't be too hard as long as you use the right fingering from the very start, the one you will use with the trills and all.

Btw, Graham Fitch has a video on trills and ornaments:
http://www.youtube.com/watch?v=CC6bgBA8en8
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All one has to do is hit the right notes at the right time, and the instrument plays itself. (J.S. Bach)
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#2199132 - 12/17/13 01:11 PM Re: playing trills [Re: sinophilia]
lautreamont Offline
Junior Member

Registered: 12/07/13
Posts: 16
I saw a video a few nights ago on youtube that had an interesting method of attacking trills. Instead of practicing with leaving out the trill, simply repeat a single one of the notes of the trill with one finger. This sort of gives you a speed limit of the trill (ie, this note will sound so many times in the time it takes the trill). Then, when it comes time to actually play the trill, you just play the trill with the second note added. It doesn't sound like that great of a help, but, to me, it really helps make the trill fluid--rather than flailing by simply playing as fast as you can, you have a definite number of notes to play.

This helped me a lot, since my trills tend to be uneven, often starting slower and then quickening pace.

Also, doing it this way helps ensure that your fingering stays the same when it comes time to play the entire trill.


Edited by lautreamont (12/17/13 01:11 PM)

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