Piano World Home Page Forums Our Most Popular Forums Adult Beginners Forum Achievement of the week - what got you excited?

Sand Tiger - I well know the two steps back, one step forward feeling! Hang in there.

Rmaple - That sounds terrible! Wasp stings can be nasty.

torquenale - That is a great story! I admire your courage to play in such a public place. Way to go!

I am not sure this is an AOTW, only a realization. In working on the Kuhlau Sonatina today, my teacher made it clear that I am still not playing with as good of physical balance and arm weight as I could. How can she tell? Some involuntary motion happens somewhere else, such as my leg, when I get to a tricky spot. This Sonatina is fast and transparent, and shows all the faults. I can't hide behind the pedal . So, it is forcing me to face my weaknesses. It is teaching me a lot. It is humbling to see that I still have a looooong way to go!

SwissMs your teacher is amazing. We all have a long way to go (some - like me a bit farther than others ) but she certainly is helping you to make your journey a smoother one. How wonderful.

I have my first lesson after 3 months tomorrow. ack!!!!

I hope to delight my teacher with my Grieg Watchman, and Rebikov's Evening in the Meadow.
Heck, I will be pleased if I get through them smoothly - I am bound to be nervous on day 1 back to school!

SwissMs, that "physical balance and arm weigh" observation is very interesting. Can you tell more details about it?

Casinintaly, I wish you a pleasant school year!

As I understand it, any lack of balance in the body position inhibits the touch on the piano and affects accuracy and tone. Body weight should be centered low in the pelvis and slightly forward. This frees up the shoulders, allowing the arm weight to be transferred from the shoulders to the keys. Even if I am playing at the extremities of the keyboard, or crossing over in front of me, I try to keep my weight centered on my seat bones, and not collapse side to side or forward or back.

When I have noticeable involuntary leg movement or my playing seems out of balance, my teacher has had me stand up, and keeping my back straight, do a knee bend of 20 degrees or so, and then play. This completely isolates the arms from the rest of the body. I am able to transfer more weight to the keys and get the feel of playing with arm weight instead of holding at the wrist.

It is difficult to describe, but I am beginning so "sink" into the keys better and I am producing a better tone as a result. I hope that makes sense!

Thanks, SwissMS - I've never really understood the weight thing, so this sounds like a good way to experience it - maybe it will help my forte!

Cathy

Yes, thanks SwissM, for the nice clear description. What you're talking about fits in nicely with the kind of weight and movement explorations that I've been working on.

My lesson went well - I wasn't too nervous.

I played my Fughetta, Evening in the Meadow, and the Grieg Watchman piece.

Fughetta I stumbled where I thought I would but recovered.
Evening in the Meadow went reasonably well, though the pedal on the school's piano is MUCH different than mine and it threw me off a bit. T suggested I play it even slower, which suits me as I think it sound better slower, but had thought it was meant to be faster. I was glad to be wrong.

Grieg was going fine until my teacher stopped me pointing out that I was playing a B instead of an A in the last sets of chords throughout the intermezzo!!!!! ack. I managed to learn it incorrectly.

I was a bit distressed with the error in the Grieg piece and a few other small things I hadn't got quite right, (mostly connected to pedalling) but he was very encouraging and said these things happen during periods of independent study and it isn't a big deal to fix them. Of course I know that, but it was nice to have him say it specifically.


Overall, it was a good lesson and we went over things for me to work on to improve these three pieces. We didn't get to the other 3 which was fine with me as they were weaker.

Nice to hear you had a good return to lessons, C. Today I had a decent one too, following what was probably my worst ever last week. Sigh....and so it goes. We have reinstituted an easier weekly throw-away again in addition to the more challenging stuff. I have to say that is so much fun after working exclusively at the bleeding edge of my ability for quite a long time. Bless my teacher for sensing when I need some fluff to wipe that overly-determined look off my face.

Oh, before I forget. Can you point me to where I pick up one of those sig thingies for the quarterly recitals?

SwissMs, your teacher sounds like she really knows how to stretch your technique as the repertoire advances. She must have had some fantastic teachers herself.

My achievement of the week: I made an appointment for my first lesson with a real teacher! I am very excited. My plan all along was to start lessons this month, so I am on schedule.

Funny story, when the secretary asked about my piano experience I mentioned that I played on my own for eight months. She paused, then said I better assign you to a teacher that is good at breaking bad habits.

I am already nervous... the stress I put myself through...

My AOTW was, after being away from the piano for 2+ weeks while on vacation, playing the day after we got home for someone other than Mr. Stubbie. Okay, it was my sister, who was visiting, but I was acutely aware of being rusty and having someone else listening in. My playing wasn't good, but I didn't keel over in a dead faint or anything, for which I am thankful (and somewhat surprised).

Torquenale, congrats on playing the public piano at the airport. I encountered only one piano on our trip. It was an old upright in the lodge on the north rim of the Grand Canyon. It was closed up and had a "Do Not Play" sign taped to it. Sheesh!

scorpio: good luck with your new phase of study! Let us know how it goes.

Stubbie: it is always a challenge to play for someone "live" no matter how sympathetic an audience they might be!

Jim - glad you're teacher has been sensitive to your state of mind. I bet your new "throw away" pieces are going to be at a significantly different level than they were a year ago!

To get the recital thingy in your signature put the following link inside img brackets.

http://www.pianoworld.com/ABF_Medals/1medal.jpg

After the next recital change it to 2medals
After the 10th change it to 10xmedals

Ron, I hope you are feeling better now.

Scorpio, sounds like a big step, and a wise secretary. Best of luck. I wish I had time and cash for a teacher.

Cas, sounds like you are off to a good start, and it's good to have you back.

My daughter and I got to meet dynamobt at the Mason & Hamlin factory tour, which was a lot of fun. From the tour thread...



I played what I know of Clair de Lune (a little more than half, "the easy parts" as I say) on a model CC, their 9' concert grand. Most everyone was gone by then, except Frank & Kathy and the M&H West Coast Sales Manager. Even so, I was extremely amped up with a lot of adrenaline, I think because I was looking forward to it for so long, and my hands shook a lot. I did well enough to be pleased given the circumstances -- even measure #17, which is my toughest one -- and Kathy clapped at the end, which was very kind of her.

AOTW - I received those much longed for words from my teacher "You have really improved!" at my lesson today. Like JimF, I have returned to easier pieces so I can focus on technique. My teacher calls it "filling in the gaps". It is good to know it is starting to work!

SwissMS -- ah magic words indeed! It is funny how we know in our own hearts and minds that we have improved, and yet, when the teacher says it--- it seems more real!
Congratulations.

TallGuy - that tour looks like good fun - and your daughter is a sweetie-pie!

Another ATOW...or maybe of the decade - not piano related.... Mr. Casinitaly and I are signed up for ballroom dancing lessons ! woohoo!

Poor poor Mr. Casinitaly. I've felt his pain before. Tell him not to worry, it will be over soon enough.

It's a week that I'm back home (after 15 days without practicing) and I don't have any piano - related achievement to mention. I'm just trying to complete my homework for the summer (partially self-inflicted) and, as usual, I find that it was too much.
I'm waiting for my first lesson to give me more motivation, but it will be in 10-15 days (children's activity weekly planning to be completed before I can think about mine) and I know that the teacher will find in my playing many flaws that I'm not able to hear by myself...

The story that Carlos told of sharing his music with his mother inspired me. For my mom's birthday last week, I put together two CDs of my ABF recital performances, including liner notes. She loved them.

My mom was the one who sat down with me when I was little and showed me how to play my first song -- "Do, a Deer". And she gave me one of her old books to learn with -- John Thompson's Grade 1. With six small children to take care of, that's about all she had time for, but it was a wonderful start. So this was a thank you for that gift she gave me long ago.

That's great MaryBee!!

Scorpio....That's a good one! Great you're getting a teacher.

TallGuy... Must have been great to play a piano like that.

MaryBee... Such a nice gift to be able to give mom. Something like that is worth more than diamonds.

Oh Cas... I bet your husband is really looking forward to the dancing. Probably with a modest attitude. I know I'd like to be able to ballroom dance. Just to be able to. Please mention to him a Russian saying I know: Life is movement, and movement is life, and dance is a celebration of life.

If you all noticed the Joplin thread. I'm actually gonna participate in my first recital! I think it's funny. The music itself. I keep telling Whizbang that it's all her fault I stumbled into Joplin at this time. I somehow take to it. I think it's all the rhythm in it. It is helping me to learn. Making it easier. Getting my two hands to play at the same time is a major problem for me. My teacher says I'm going good. She always points out that I play my chords without looking at my hands. That's real good? (at this point?) Put that together with Joplin's original work. Kinda like a duck taking to water. I'm flirting with the original. Even though I only signed up for the easiest "A" part only.

So much moving and inspirational stuff going on here at the moment.

I'm just ambling along as usual, nothing much to report. Soon I will be going to hear some more advanced students play again. I could play something there myself, but I think I'd rather wait until I'm at a higher level. It's something to aim towards I guess, though I don't have much desire to perform anyway. I would rather do it when I have something to actually show off. Another reason is that I am centre of attention a lot in my job, so when I'm not at work I prefer to be one of the onlookers. I have analysed it a lot, and concluded that I'm not scared of performing; I just don't like to perform something that isn't up to my own high standards. Perfectionism strikes again. There - I have successfully talked myself out of it for a few more years, job done.