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#2307836 - 07/27/14 03:22 PM This sounds like Satie?
Mken Offline
Full Member

Registered: 05/09/13
Posts: 93


Piece called the Terminal. I can play it except for the very fast parts.

In the comments section somebody says it sounds a like like Satie. I'm not overly familiar with Erik Satie, but does anybody know which Satie piece it sounds like?

I've scoured some youtube and Haruhi Suzumiya came up and I think I might try my hand at Satie now but a familiar piece which is similar to the terminal might be a nice hook to start on.

Looking at a few pieces it might strengthen my left hand considerably! It is still too uncoordinated for Chopin Nocturne Op. 9 No. 2

Thanks
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#2307840 - 07/27/14 03:34 PM Re: This sounds like Satie? [Re: Mken]
bennevis Offline
5000 Post Club Member

Registered: 10/14/10
Posts: 5121
It sounds nothing like Erik - not the melodic line, the harmonies, the piano figuration.

If you want a 'classical' composer that has a slight similarity, it would be Michael Nyman, though even so, no-one would mistake this stuff for Nyman either.
_________________________
"I don't play accurately - anyone can play accurately - but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life."

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#2307938 - 07/27/14 09:24 PM Re: This sounds like Satie? [Re: Mken]
hreichgott Offline
1000 Post Club Member

Registered: 04/11/13
Posts: 1004
Loc: western MA, USA
I kinda see what the person means about Satie (try the Gnossiennes) but basically this piece is structured like pop music: repetitive broken chord figuration in a repeating chord progression, with increasing liberties taken in the melodic voice.
Maybe try other pop or new age pianists for music with greater similarity to this.
_________________________
Heather W. Reichgott, piano http://heatherwreichgott.blogspot.com
Sounding the depths of small pieces: Beethoven Op. 33
Daily attempts at 16th notes: Chopin Op. 10 no. 4, Pischna
Totally loving Fauré/Barcarolles and Ravel/Tombeau de Couperin
I love Mozart, Haydn, Beethoven and new music

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