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Originally Posted by Pover
Heather, I haven't played in a while due to exams. I'll be done with exams on the 5th of January, and I have a month off where I'll be focusing a bit more on the future courses and finally have some more time for piano.

With all this taken into account, I'll probably only be able to do somewhat shorter pieces, since I'll also be "bringing back" Schumann's arabeske for the Schumann recital. So I guess, I can send recordings of (off the top of my head) Chopin's nocturne op. 32/1, and Debussy's arabesque, if that kind of things fits in here. If I have as much time as I'd like, I might (finish) learning tchaikovsky's romance in F minor.

Anyway, tell me what you'd like to hear from those, and which go well with the program. I'll also have Mozart's sonata k.311 1st movement recorded by then, but I don't know how you feel about submitting only 1 movement from a sonata. I don't know.

Maybe just one piece given your time constraints?
Which of those do you feel most comfortable with and excited about recording?


Heather Reichgott, piano

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William Grant Still - Three Visions
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Originally Posted by trigalg693
I have a good amount of stuff ready to go or at least within a week, Chopin 3rd Sonata, 3rd Ballade, could bring the 4th back pretty fast if I wanted, op.10 no.1, op.25 no.6, the Godowsky versions certain people hate, Bach BWV 849 (WTC Book I no.4), La Campanella, some Transcendental Etudes. I could bring back Scriabin 2 or 5 in a reasonable amount of time but I'm not too interested in doing that since I'm busy learning the Liszt Sonata.

I'm not really familiar with the stuff listed besides f minor Ballade, but knowing the length of that piece I would guess that adding the op.47 Ballade would fit in. I want to play op.25 no.6 too if possible though haha, I've always wanted to play it for an informed audience. Maybe that's too much Chopin though, I'm happy to swap it out for Liszt or whatever else.

If it isn't too much, it would be interesting to hear both the original Chopin and Godowsky version of the same etude.

We had a Chopin etude last time too. Personally, I cannot imagine any situation in which I would want to perform or record Chopin etudes. But if you folks want to, I will listen happily smile

Also the Bach jumped out at me -- we don't have any Bach on the program yet.

Last edited by hreichgott; 12/18/14 10:13 AM.

Heather Reichgott, piano

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Originally Posted by TwoSnowflakes
I would be an enthusiastic listener at any time. smile

I would like to be a participant probably for May if it has to be 8-10 minutes of music. If I could play, say, something shorter that I'm already working on, (such as, for example, the Tchaikovsky in my signature) then I'm not as concerned about the deadline.

There is a 15-minute maximum and no minimum.
We already have 9 participants but it looks like a lot of people are not going to use their full 15 minutes, so there's room if you'd like to play something short. Or if you wanted to wait and do something longer for the next one, that's fine too.


Heather Reichgott, piano

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Originally Posted by hreichgott
Personally, I cannot imagine any situation in which I would want to perform or record Chopin etudes. But if you folks want to, I will listen happily smile


Its a dangerous proposition isn't it? And then Godowsky makes the original even more difficult.


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Originally Posted by trigalg693
, the Godowsky versions certain people hate,


Hate is such a strong word, I prefer to reserve that for Islamey.

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RE: Chopin Etudes: have a half-dozen half-"baked" now. Op 10 no 4 was only 1/4-baked in the "Fugue" Ecital. The Ponce Fugue was unbaked (cookie dough?). Am working on Chopin preludes now, and Schumann op 32 (my 1st Schumann since "the Happy Farmer").

Around Nov 1, I rediscovered a live recital on tape from 1972 which I had never once played since it was made. It was 2 years into pre-med and practicing once a week, but "old music" buffed up pretty well. I've not digitized it, and no one has heard it but me. If you need anything for the Ecital, I could re-debut something actually baked from this old trove:

Rondeaux from Bach Partita no 2 c minor (rest did not survive)
Beethoven sonata op 109
Turina Danzas Fantasticas Exaltacion
Chopin Scherzo No 3 c# min
Rachmaninoff prelude no 4 D maj
Rachmaninoff prelude no 2 Bb maj



By Jan 15th, I could possibly record one of (y'all pick):

Scarlatti sonatas A maj, and D maj
Rachmaninoff Prelude D maj
Chopin Preludes no 1, 3, 10, 22
Debussy Gardens in the Rain
Beethoven Andante Favori in F maj
Grieg Lyric piece: Gade
Schubert Impromptu op 90 no 2 Eb, Op 142 no 3 Bb, or
Moment Musical Op 94 no 4 c#
Bach Preludes and Fugues XIII in F#, or XV in G


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Originally Posted by Damon

Hate is such a strong word, I prefer to reserve that for Islamey.


Strong emotions such as those displayed by Hakki deserve strong words to describe them with smile

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Doctor S, pick whichever piece you like, but from what you listed I'd have to say I have a soft spot for the Rach Prelude in D major. Also, the Schubert impromptu op.90/2 is great, if you have time to do it by the 15th.

On a side note, how did you manage to play pieces such as the 3rd scherzo and beethoven's 109 during pre-med? Right now I'm in my first year of med school, and I can barely practice or play pieces! I feel like I'm going to lose my 'ability' to play well if this goes on like this. I keep worrying about getting good grades and preparing for the USMLE step 1 as soon as possible, and the piano seems to be slowly fading into the background frown

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Doctor S - You have a lot of great stuff to choose from. I will put a vote in for the Rachmaninoff Bb prelude. It seems to me that it was written for those with superhuman ability!


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Pover: to be sure I did not learn those pieces in pre-med, but took "lessons" to get rights to a practice room, and continued to play intermittently through med school. Someone was nuts enough to make me a church pianist; I bought a Rhodes 88 electromechanical keyboard for earphone practice in my room. It was actually harder to maintain during residency and post-residency, but not hopeless. (I wonder if typing all day helps maintain piano technique?) Note that several winners of the Van Cliburn Amateur Piano Competition have been physicians. I met one: Barry Coutinho from Pittsburgh who is a full-time teaching family practice doc. Whatever I named he played for me: Chopin Etudes, Ravel Jeux d'eau, Gershwin I Got Rhythm. I don't have his brains but I got his piano tuner. In limited practice time I would advise you to emphasize technique, and slow practice of pieces that emphasize technique as suggested by Ruth Slenczynska, who used the Chopin Etudes to maintain her technique during years when she had little time to practice.

Vid: The Rach Bb prelude now would be overreaching...but if you want to hear that 20-year-old I'm jealous of, I'll dust off the tape. OK for audio archeology in this Ecital? Would still want the best match for the other pieces. Not sure I have the feng shui for that.


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Doctor, so I guess there's just no way around it. I find myself playing less, and thinking more about what I can do in terms of extracurricular activities which might help me later on, when I do the elective (in the U.S.A, since I have to do it there if I want to do my residency there). I'm hoping to get accepted in Mayo Clinic, but we're talking about 5 years into the future...

For some reason, this ambition I have is turning into a curse, because all I think about is how I can become better, or what I can do to enrich my experience, so I join all kinds of activities, IFMSA, research projects, and everything I can get my hands on so I start becoming a good applicant from now. I guess inevitably, piano is going to have less time, but I wonder if this will pay off later? Will I actually have more time to enjoy it after all is said and done? Let's hope so :P

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Originally Posted by doctor S
In limited practice time I would advise you to emphasize technique, and slow practice of pieces that emphasize technique as suggested by Ruth Slenczynska, who used the Chopin Etudes to maintain her technique during years when she had little time to practice.



Not a med student, but during college I have done very little new-piece-learning and I go weeks without practice at times, but my learning speed is much faster now than it was in high school because I worked on so many etudes.

Last edited by trigalg693; 12/21/14 03:51 PM.
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I have some original short preludes I'd be interested in sharing, solo piano, if you would like to have them included on your recording! They would not take the full 15 minutes, each is around a minute or so and I'd probably play 5.

Ethan

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trigalg, sorry I got back to you so late, I haven't been able to get on here and didn't see the post earlier. Do you think practicing something like Chopin's etudes at a slow speed will benefit me? As opposed to learning a Mozart sonata or something like that?

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I think the best way to figure out technique is to play things that are hard. Yes, do Chopin etudes at slow speed. If it's hard, you're forced to pay more attention while practicing. I really was not that good in high school, I couldn't get through any pieces I was playing at the speed I wanted without having a major screw-up, and I think really focusing on technical challenges has been the best use of my time, because now I feel so much more secure at the keyboard, and I learn difficult pieces way faster.

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^ this is good advice, but not for someone who is self-taught with 3 years of study. If you have never learned a couple Mozart sonatas, a couple Haydn sonatas, a smattering of etudes by Burgmuller or Heller or similar, and one or two smaller Chopin pieces, bringing them all up to the level of complete mastery, those would serve you better than struggling through Chopin etudes. There are technical challenges in the above pieces that will be plenty hard enough for a 3-year self-learner!



Heather Reichgott, piano

Working on:
Mel (Mélanie) Bonis - Sevillana, La cathédrale blessée
William Grant Still - Three Visions
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Program in current state.
Draft recordings due Jan 15, concert recordings due Feb 15.

DEFINITE PIECES
BruceD: Brahms intermezzi Op. 117
hreichgott: Barcarolles #4 and #6 by Fauré
Pathbreaker: Mozart C minor fantasy
verqueue: Chopin F minor Ballade

UNDECIDED, OR NEEDS MORE INFORMATION
Francisco Scalco: Pieces by Guarnieri (Titles?)
Vid: Scarlatti sonatas (Which ones?) + Bartok Diary of the Fly + Work by a former teacher (Title and composer?)
Pover: Chopin, Debussy, Tchaikovsky or Mozart
trigalg693: Godowsky? not sure if you agreed to this but it seems to have the most enthusiastic support
doctor s: Audio "archaeology" wasn't the purpose of this project but it is awesome that you found that old tape, and everyone wants to hear your Rachmaninoff laugh Might be fun to include that. I'll put in a vote for (a new recording of) Beethoven Andante favori or one of the Schubert pieces, depending on how many pieces you want to submit, and depending on time.
TwoSnowflakes: any ideas?

Last edited by hreichgott; 12/27/14 03:07 PM.

Heather Reichgott, piano

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William Grant Still - Three Visions
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Beethoven Andante Favori and Schubert Op90 no2 for this recital, fine. Will put an historic recordings on members recordings (someday)...


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Scarlatti Sonatas: K. 118 D major, K. 235 G major
"Invitation" by Denis Khvatov


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Thanks Vid and doctor s smile Happy New Year


Heather Reichgott, piano

Working on:
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William Grant Still - Three Visions
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