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Strat Offline OP
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[Linked Image]

I thought that was pretty funny and accurate. smile


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I don't get Chopin(egg beaters?)or Rachmaninov vs. Liszt(both with big stretches and many notes)?

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Originally Posted by pianoloverus
I don't get Chopin(egg beaters?)or Rachmaninov vs. Liszt(both with big stretches and many notes)?


For Chopin, could it be analogous to the long, spinning, fioritura that so often marks his writing?

Rachmaninov: lots of notes, all at once, i.e. five-note chords in both hands; Liszt: large span(s).

Loved the Debussy!

Regards,


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The Debussy is the only one I agree with. IMO, the rest seem pretty ignorant.


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I don't have spatulae for hands. No wonder why I can never get "Incises" to come off well. And to think I thought it was a lack of encyclopedic musicality and phenomenal dexterity. I wasn't "pancaking" the piece enough!

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Originally Posted by gooddog
The Debussy is the only one I agree with. IMO, the rest seem pretty ignorant.


I think the same. the rest are just generalizations based on 1-2 pieces...

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This was taken from a reddit post of a few days ago. (link) I think it's just something someone did for fun. The creator explained them a bit as follows:

Quote
Explanation:
Chopin: mixer because he reminds me of one sometimes. Example [links to op.10/4]
Scriabin: He has written a lot of pieces for the left hand alone and he injured the right hand.
Rachmaninoff: He had really big hands. Really big.
Liszt: he sometimes reaches notes at the other side of the piano.
Ravel: he has delicate, water hands and very often the left and right hand play on top of each other.
Beethoven: he is powerful and this is also a reference to the hammerklavier
Satie: his touch is very gentle and it sounds like he is playing with gloves.
Boulez: Just to give you an idea. [links to sonata 3]
Cage: the 'no hands' is a joke for 4'33'' and the objects on the keyboard are a reference to his prepared pianos.
Feldman: most of his compositions use just a few notes.
Mozart: Rolling pins because of all the scales.
Schubert: A lot of his pieces have very articulated right hand passages that go back and forth like a wheel and really easy left hand ones.
Bach: robot hands because he was so structured and calculating in his pieces.
Debussy: really soft touch, just like feathers.
Glass: Pendulum and metronome because of his style that led him to be very technical, a bit like Bach, but it's more complicated than that.
Bartok: drum beaters because of the power of some of his compositions.
Phew ! There you go !

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Originally Posted by beet31425
This was taken from a reddit post of a few days ago. (link) I think it's just something someone did for fun. The creator explained them a bit as follows:

Quote
Explanation:
Chopin: mixer because he reminds me of one sometimes. Example [links to op.10/4]
Scriabin: He has written a lot of pieces for the left hand alone and he injured the right hand.
Rachmaninoff: He had really big hands. Really big.
Liszt: he sometimes reaches notes at the other side of the piano.
Ravel: he has delicate, water hands and very often the left and right hand play on top of each other.
Beethoven: he is powerful and this is also a reference to the hammerklavier
Satie: his touch is very gentle and it sounds like he is playing with gloves.
Boulez: Just to give you an idea. [links to sonata 3]
Cage: the 'no hands' is a joke for 4'33'' and the objects on the keyboard are a reference to his prepared pianos.
Feldman: most of his compositions use just a few notes.
Mozart: Rolling pins because of all the scales.
Schubert: A lot of his pieces have very articulated right hand passages that go back and forth like a wheel and really easy left hand ones.
Bach: robot hands because he was so structured and calculating in his pieces.
Debussy: really soft touch, just like feathers.
Glass: Pendulum and metronome because of his style that led him to be very technical, a bit like Bach, but it's more complicated than that.
Bartok: drum beaters because of the power of some of his compositions.
Phew ! There you go !


Which just goes to prove that the more you have to explain a joke, the worse it gets.

Regards,


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Anyone who thinks of Bach as a robot doesn't understand Bach......


Poetry is rhythm
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I think the lot of you should get a sense of humor.

Piano players are stereotyped as taking themselves way too seriously and the responses here do nothing to dispel that.

Oh well... I tried. smile


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Originally Posted by Strat
I think the lot of you should get a sense of humor.

Piano players are stereotyped as taking themselves way too seriously and the responses here do nothing to dispel that.


You CAN-NOT be serious! - John McE


If music be the food of love, play on!
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LOL! For Bach you should have drawn five hands. grin

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Originally Posted by Strat
I think the lot of you should get a sense of humor.
And maybe you should learn to spell. wink
I didn't know which Hans the pianists were talking about. Did Hans Zimmer write piano music? Or is it short for Johann, as in Sebastian Bach?


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My other Yamaha is an XMAX 300.
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Originally Posted by Strat
I think the lot of you should get a sense of humor.


Yup. I thought it was funny!

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Originally Posted by bennevis
Originally Posted by Strat
I think the lot of you should get a sense of humor.

Piano players are stereotyped as taking themselves way too seriously and the responses here do nothing to dispel that.


You CAN-NOT be serious! - John McE

Best Match Ever!

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I don't understand why GOD (in all capitals biblical font) has robot hands LOL

yep, pretty accurate


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Originally Posted by BruceD
Originally Posted by beet31425
This was taken from a reddit post of a few days ago. (link) I think it's just something someone did for fun. The creator explained them a bit as follows:

Quote
Explanation:
Chopin: mixer because he reminds me of one sometimes. Example [links to op.10/4]
Scriabin: He has written a lot of pieces for the left hand alone and he injured the right hand.
Rachmaninoff: He had really big hands. Really big.
Liszt: he sometimes reaches notes at the other side of the piano.
Ravel: he has delicate, water hands and very often the left and right hand play on top of each other.
Beethoven: he is powerful and this is also a reference to the hammerklavier
Satie: his touch is very gentle and it sounds like he is playing with gloves.
Boulez: Just to give you an idea. [links to sonata 3]
Cage: the 'no hands' is a joke for 4'33'' and the objects on the keyboard are a reference to his prepared pianos.
Feldman: most of his compositions use just a few notes.
Mozart: Rolling pins because of all the scales.
Schubert: A lot of his pieces have very articulated right hand passages that go back and forth like a wheel and really easy left hand ones.
Bach: robot hands because he was so structured and calculating in his pieces.
Debussy: really soft touch, just like feathers.
Glass: Pendulum and metronome because of his style that led him to be very technical, a bit like Bach, but it's more complicated than that.
Bartok: drum beaters because of the power of some of his compositions.
Phew ! There you go !


Which just goes to prove that the more you have to explain a joke, the worse it gets.

Regards,


I don't think the image needs any explaining. Everyone who knows their personal styles and sees the associated image will readily open a broad smile... I think the captions are for people who may not know them, who will not get the joke anyway.

anyway, in the final image he adds some more and exchanges Liszt and Rach:

[Linked Image]


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I would totally buy that in poster form!

To be fair I feel like most of those composers could be any one of those pictures depending on the piece, but a neat idea anyway.


"I was obliged to be industrious. Whoever is equally industrious will succeed equally well."

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Also is it bad I've never heard of Feldman?

I would have rather seen Scarlatti, Schumann, Brahms, or even some Jazz guys like Art Tatum or Thelonius Monk.


"I was obliged to be industrious. Whoever is equally industrious will succeed equally well."

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I thought this was going to be comments about Hans von Bulow.

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