This piece has the pattern A-B-A-C, where C is the coda.

Question: In the score (Dover edition) and at least in one recording the last measure in the second A-section is left out and the music suddenly rushes into the coda. It does not sound bad or odd at all and could be typical Tachikovsky

But some performers, including Petrov and a Russian orchestral version, includes the measure.
This makes the transition to the coda more relaxed and calm.

Any opiniions?