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#590196 - 07/25/08 05:09 PM
Re: decrescendo/crescendo
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500 Post Club Member
Registered: 11/10/05
Posts: 634
Loc: Romney WV
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As long as it doesn't completely contradict the score (assuming we aren't purists) and you like the effect, go for it! Personally, I've never heard such a rule, but can see how it could work.
_________________________
"Beauty is unbearable, drives us to despair, offering us for a minute the glimpse of an eternity that we should like to stretch out over the whole of time."
-Albert Camus, Jim
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#590197 - 07/26/08 12:26 AM
Re: decrescendo/crescendo
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6000 Post Club Member
Registered: 08/15/06
Posts: 6163
Loc: Briarcliff Manor, NY, USA
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Crescendo often suggests a subtle accelerando, and diminuendo frequently implies a slight rallentando or ritardando—but these associations can't always be assumed. I came across a reference to this recently, but can't recall where! My attempt to google a source came up with an ancient text— The Principles of Expression in Pianoforte Playing, by Adolph F. Christiani (1885) (!)—but it explains the relationship well: Accelerando and ritardando are analogous to crescendo and diminuendo.
An ascent in pitch, a rise of emotion, suggests naturally a crescendo and accelerando as means of expression, just as a calming-down suggests both diminuendo and rallentando.
The union of accelerando with crescendo, and of diminuendo with rallentando, is most natural and occurs very frequently, especially in slow, expressive pieces .... But lest the reader generalize, Mr. Christiani continues: Accelerando, however, may go with diminuendo, and ritardando with crescendo. Dolmetsch Online acknowledges a connection, too: rallentando: (Italian) slowing down, getting slower, langsamer werdend, en ralentissant (often with the sound becoming gradually softer) Steven
_________________________
 "There are two means of refuge from the miseries of life: music and cats." —Albert Schweitzer
Chopin: Allegro de Concert Op. 46 Schumann: Toccata Op. 7 Fauré: Ballade Op. 19
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#590198 - 07/27/08 04:18 PM
Re: decrescendo/crescendo
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Junior Member
Registered: 07/25/08
Posts: 5
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Originally posted by sotto voce:  My attempt to google a source came up with an ancient text— The Principles of Expression in Pianoforte Playing, by Adolph F. Christiani (1885) (!)—but it explains it well. Steven [/b] I looked into the book reference which you posted and appreciate your research. Based on the piece, I'm going to go with "Rule 1": Rule 1.-- Before the return to a principal theme. since, based on my listening-- and because the piece has two-part binary form, that would be my guess... if you remember something about that other book, please share... ;-) regardless,the one you cited was quite inteteresting and helpful.
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#590199 - 07/28/08 05:20 AM
Re: decrescendo/crescendo
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500 Post Club Member
Registered: 04/20/06
Posts: 754
Loc: Belgium
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There is no such rule and in fact it's to be avoided that you automatically associate playing louder with speeding up and playing slower with getting quieter. Almost all choir and orchestra conductors will have shouted at some point 'just because it's quiet doesn't mean you have to play slowly' and the same goes for piano.
Speed up or slow down as the music demands it, not because of a rule.
_________________________
John
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#590200 - 07/28/08 08:48 AM
Re: decrescendo/crescendo
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6000 Post Club Member
Registered: 08/15/06
Posts: 6163
Loc: Briarcliff Manor, NY, USA
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JohnEB,
I agree that there's no rule, and that the association shouldn't be made automatically. But there is an association nevertheless, or those choir and orchestra conductors wouldn't need to make such an admonition.
Steven
_________________________
 "There are two means of refuge from the miseries of life: music and cats." —Albert Schweitzer
Chopin: Allegro de Concert Op. 46 Schumann: Toccata Op. 7 Fauré: Ballade Op. 19
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