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Page 275 of 277 < 1 2 273 274 275 276 277 >
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#2299155 - 07/06/14 01:06 PM Re: Just for those totally devoted to Chopin [Re: Elene]
WellTemperedPizza Offline
Full Member

Registered: 05/26/13
Posts: 86
Loc: London, UK
I hadn't considered the second possibility you raised, it makes sense (pretty macabre though!). Thanks for the replies.

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#2321074 - 08/28/14 11:17 AM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
Elene Offline
1000 Post Club Member

Registered: 12/26/07
Posts: 1425
Loc: Land of Enchantment
Our edwardianpiano has posted some interesting Chopin-on-antique instruments videos. I hadn't realized how much more of these 19th-century piano performances were around these days.

Here is a real gem:
Janina Fialkowska plays and explains an 1848 Pleyel

And this is fun-- a music box plays 10/3, though only the A section:
Chopin on a Victorian Music Box

Elene
_________________________
Semi-Pro Musica

Blog: http://elenedom.wordpress.com
Website: http://elenelistens.com






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#2321829 - 08/30/14 08:45 AM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
chopin_r_us Offline
1000 Post Club Member

Registered: 09/17/10
Posts: 1400
Loc: London
Hi folks. I'd like a look at the autograph of op 10 no 5. It's listed here http://en.chopin.nifc.pl/chopin/manuscripts/detail/page/3/id/4 Anyone got a copy? or how do I get it from The Fryderyk Chopin Institute? Thanks.

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#2321984 - 08/30/14 07:20 PM Re: Just for those totally devoted to Chopin [Re: chopin_r_us]
Elene Offline
1000 Post Club Member

Registered: 12/26/07
Posts: 1425
Loc: Land of Enchantment
Looks like you can order it from NIFC here:

http://sklep.nifc.pl/index.php?produkt=5_27


A bit pricey but apparently available.

Thanks for bringing this up-- I didn't realize they had manuscript facsimiles. I own the National Edition volume of the Etudes but no manuscript copies.

Elene
_________________________
Semi-Pro Musica

Blog: http://elenedom.wordpress.com
Website: http://elenelistens.com






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#2322132 - 08/31/14 06:11 AM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
chopin_r_us Offline
1000 Post Club Member

Registered: 09/17/10
Posts: 1400
Loc: London
Thanks. Hopefully they're in stock as Amazon are out! 68 Euros - I'll have to think about it. I found some Korean channel on youtube that displays it but the detail is lacking. http://www.yourepeat.com/g/%E8%87%AA%E7%AD%86%E8%AD%9C/

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#2322914 - 09/02/14 01:43 AM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
Elene Offline
1000 Post Club Member

Registered: 12/26/07
Posts: 1425
Loc: Land of Enchantment
An aspect of Polish musical culture we may not have experienced....

https://www.youtube.com/watch?v=VHmwVfy3X1E&feature=youtu.be

(OK, the song's from Ukraine and the Ukrainian woman is a man, but it's in Polish here.)

Elene
_________________________
Semi-Pro Musica

Blog: http://elenedom.wordpress.com
Website: http://elenelistens.com






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#2327101 - 09/13/14 10:26 AM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
noobpianist90 Offline
Full Member

Registered: 07/23/13
Posts: 457
Loc: India
Here is an interesting article on Chopin as a teacher. My apologies if this has been shared before.

http://www.forte-piano-pianissimo.com/Chopin-the-Teacher.html

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#2327356 - 09/14/14 04:23 AM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
chopin_r_us Offline
1000 Post Club Member

Registered: 09/17/10
Posts: 1400
Loc: London
Quote:
One of his students, von Timm used to prefer Erard pianos, but after studying with Chopin she clearly change her mind. She describes Chopin’s preference to Pleyel pianos:

Up until now I have worked more on difficult pianos than on easy ones; that has strengthened my fingers a great deal. However, on this kind of piano it is impossible to obtain the finest gradations by the movements of the wrists and the forearm as one can with each finger taken separately.
quoted from the above page

Those of us who try Pleyels of the period find the actions pretty horrendously heavy but as this well known quote makes quite clear it was not the case. At some point - I would hazard in the 1840s - Pleyel went for volume over touch. Chopin would have not been amused. He did, in fact, send a piano back to Pleyel in this period and also suggested Fontana secretly go to Erard. Erard on the other hand went the other way. According to Moscheles Erard delivered a piano to himself (1850) with not only the perfect sound but also perfect light touch (but maybe deeper key dip?). Previously he found Erard's heavier touch not to his liking.

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#2327915 - 09/16/14 12:16 AM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
Elene Offline
1000 Post Club Member

Registered: 12/26/07
Posts: 1425
Loc: Land of Enchantment
Hmm. My only, and very brief, experience with a Pleyel of the period was an 1840 spinet at Nohant, and I only had a couple of minutes with it. It was extremely light. It's so hard to know what the "average" instruments were like at the time because of course any that have been put back in playing condition have had many parts replaced, technicians can adjust actions quite a bit, etc. etc. It's an endlessly fascinating subject.

Our friend edwardianpiano brought the following performance to my attention on her blog:

G minor Ballade in a non-modern temperament

It's a lovely performance however you hear it. However, I couldn't hear much difference between this and a rendition in current equal temperament. (Which is not entirely equal, at any rate, since tuners commonly stretch and compress some intervals to get the sound they want.) Neither could my husband, who's a woodwind player.

I was inspired to read more about historical tunings after hearing this, since I'd been under the impression that by Chopin's time tuning was pretty much like ours. Apparently that is not correct-- though it can't have been tremendously different, either. Does anyone have details?

Elene
_________________________
Semi-Pro Musica

Blog: http://elenedom.wordpress.com
Website: http://elenelistens.com






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#2327940 - 09/16/14 02:42 AM Re: Just for those totally devoted to Chopin [Re: Elene]
chopin_r_us Offline
1000 Post Club Member

Registered: 09/17/10
Posts: 1400
Loc: London
Originally Posted By: Elene
Hmm. My only, and very brief, experience with a Pleyel of the period was an 1840 spinet at Nohant, and I only had a couple of minutes with it. It was extremely light.
Thanks, that's important knowledge. The Pleyel he was displeased with and sent back was for Nohant. Could that be the replacement? Had Chopin used that particular one?

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#2329805 - 09/21/14 10:45 PM Re: Just for those totally devoted to Chopin [Re: chopin_r_us]
Elene Offline
1000 Post Club Member

Registered: 12/26/07
Posts: 1425
Loc: Land of Enchantment
The person who was guiding the tour at Nohant made it clear that Chopin had never actually used that piano, that it had been acquired later (whether during Mme Sand's lifetime or not, I don't know). It may or may not have been representative of instruments he would have used, but at any rate it was consistent with descriptions of instruments of the period, in terms of the shallow action and narrow keys.

(I was trying to play the beginning of the F minor etude from the "Trois Nouvelles Etudes" and kept ending up with an E on the bottom because I overreached! Quite embarrassing. I managed to complain in French that the keys were so narrow, and was told that everyone said that, which made me feel better.)

Elene
_________________________
Semi-Pro Musica

Blog: http://elenedom.wordpress.com
Website: http://elenelistens.com






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#2329808 - 09/21/14 10:49 PM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
Elene Offline
1000 Post Club Member

Registered: 12/26/07
Posts: 1425
Loc: Land of Enchantment
Here is something that makes the matter of historical tunings much clearer, with a number of Chopin examples included.

Goresko and historical temperaments

Edwardianpiano pointed out to me that it's not so much that one hears these different temperaments as in or out of tune, as it is a feeling. Goresko shows specifically how one gets effects of expansiveness, contraction, brightness, darkness, etc.

Elene
_________________________
Semi-Pro Musica

Blog: http://elenedom.wordpress.com
Website: http://elenelistens.com






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#2329814 - 09/21/14 10:58 PM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
Elene Offline
1000 Post Club Member

Registered: 12/26/07
Posts: 1425
Loc: Land of Enchantment
I was just looking at the article above posted by noobpianist90. It is a useful summary. I'm sorry (though not surprised) to see that someone who teaches at the university level is slipshod about details such as name spellings and dates, but in the main the article is solid. More importantly, the quote about the pedal supposedly written to Delfina Potocka comes from the fake Czernicka letters.

Elene
_________________________
Semi-Pro Musica

Blog: http://elenedom.wordpress.com
Website: http://elenelistens.com






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#2338527 - 10/17/14 08:32 PM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
Elene Offline
1000 Post Club Member

Registered: 12/26/07
Posts: 1425
Loc: Land of Enchantment
His death-day today.

You may have noticed news stories telling us that recently Chopin's heart was removed from its niche in the church and visually examined by some medical folk. They claimed that they saw tubercular nodules and that this proved that Chopin did die of TB.

The funny thing is that the doctor(s) who did his autopsy wrote that they were not seeing consumption. Since TB was an extremely common disease at the time, one would expect that doctors of the time were familiar with its appearance. The pictures I've seen of tubercular nodules on internal organs look pretty dramatic-- it's hard to imagine that a doctor in 1849 would not see them.

So I find the news stories unconvincing and rather confusing. I would like to know exactly and precisely what the current researchers saw. I would particularly like to see pictures, but those have not been supplied.

Elene
_________________________
Semi-Pro Musica

Blog: http://elenedom.wordpress.com
Website: http://elenelistens.com






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#2338827 - 10/18/14 03:18 PM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
chopin_r_us Offline
1000 Post Club Member

Registered: 09/17/10
Posts: 1400
Loc: London
Moi aussi!

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#2338903 - 10/18/14 08:21 PM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
Batuhan Offline
500 Post Club Member

Registered: 09/21/09
Posts: 964
Loc: Istanbul
I purchased this book today

http://www.amazon.com/gp/product/0521367...d=ATVPDKIKX0DER

is it a good book? anyone owns it?


Edited by Batuhan (10/18/14 08:22 PM)
_________________________
Sorry for my English, I know it sucks, but I'm trying to improve.


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#2338947 - 10/19/14 02:50 AM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
chopin_r_us Offline
1000 Post Club Member

Registered: 09/17/10
Posts: 1400
Loc: London
It's the best!

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#2339338 - 10/20/14 01:38 AM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
Elene Offline
1000 Post Club Member

Registered: 12/26/07
Posts: 1425
Loc: Land of Enchantment
I hope you enjoy "Chopin: Pianist and Teacher," Batuhan. It's a must for anyone who is seriously studying Chopin, I think. Maybe not something to read straight through, because there is so very much information in it, but a great book to keep nearby for reference.

Elene
_________________________
Semi-Pro Musica

Blog: http://elenedom.wordpress.com
Website: http://elenelistens.com






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#2344145 - 11/01/14 03:43 PM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
Elene Offline
1000 Post Club Member

Registered: 12/26/07
Posts: 1425
Loc: Land of Enchantment
Day of the Dead.
Dzien dobry, Fryderyk.

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#2351111 - 11/16/14 05:15 PM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
Elene Offline
1000 Post Club Member

Registered: 12/26/07
Posts: 1425
Loc: Land of Enchantment
Garrick Ohlsson: Why Chopin?

I'm not sure how I came across this Ohlsson video. It's so much fun-- he's like a big kid, bubbling over with enthusiasm. His musical insights are very useful. Among other things he does an extensive exposition of the 27/2 nocturne, then eventually gets around to playing the whole thing.

He makes the point that the 1848 Pleyel he had played is not like what it was in its own time, so that we still don't know exactly how such an instrument sounded or felt to Chopin when it was new. (Sadly.) He also points out that in 1848, Chopin wanted an 1848 instrument, the latest technology-- not something 150 years old.

Elene
_________________________
Semi-Pro Musica

Blog: http://elenedom.wordpress.com
Website: http://elenelistens.com






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#2351433 - 11/17/14 02:41 PM Re: Just for those totally devoted to Chopin [Re: Elene]
chopin_r_us Offline
1000 Post Club Member

Registered: 09/17/10
Posts: 1400
Loc: London
Originally Posted By: Elene
[url=https://www.youtube.com/watch?v=zI1XWrPNaAM] He also points out that in 1848, Chopin wanted an 1848 instrument, the latest technology-- not something 150 years old.

Elene
I think he's wrong there. According to Streicher he disliked Pleyel's innovations.

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#2351976 - 11/18/14 04:17 PM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
Elene Offline
1000 Post Club Member

Registered: 12/26/07
Posts: 1425
Loc: Land of Enchantment
Ah, very interesting. I'll have to look for that. Thanks. I wonder just exactly what he did not like.

I think the main point was that people in Chopin's time were not worshiping antique instruments like some do today.

Elene

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#2352166 - 11/19/14 02:21 AM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
chopin_r_us Offline
1000 Post Club Member

Registered: 09/17/10
Posts: 1400
Loc: London
It's a shame. The Streicher family have some of her letters to an aunt which contain fascinating insights like his dislike of Pleyel's innovations. As far as I'm aware none have as yet been published. See page 22 here:
http://www.epta.si/wp-content/epta_broshure-end.pdf

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#2368575 - 01/02/15 04:08 PM Re: Just for those totally devoted to Chopin [Re: chopin_r_us]
Puzzle Offline
Junior Member

Registered: 01/01/15
Posts: 10
Hello I am new here, but I am devoted to Chopins music for a long time.
I could not read all the pages here and do not know if this question already came, but which interpret comes in your opinion close to Chopins playing?
There are many descriptions of his contemporaries but all my recordings (and I have many...) do not awaken in me that enthusiasm.
Although it was repeatedly written that no one could ever imitate chopin, I would like to hear the music the way chopin meant it....

I am looking forward to your opinions!

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#2368586 - 01/02/15 04:23 PM Re: Just for those totally devoted to Chopin [Re: Puzzle]
verqueue Online   blank
Full Member

Registered: 10/31/14
Posts: 323
Loc: Europe
Originally Posted By: Puzzle
Hello I am new here, but I am devoted to Chopins music for a long time.
I could not read all the pages here and do not know if this question already came, but which interpret comes in your opinion close to Chopins playing?


Hi Puzzle, welcome to PW smile.
This is a very hard question, because we don't know how Chopin played. The other thing is that sometimes composers couldn't played their works like they heard them.
In my opinion R. Blechacz is close to Chopins playing. He has similar posture and shape of a hand to Chopin.

Chopin Competition 2005 - Winners recital

Unfortunetely it seems he didn't make big career.
_________________________
Some stuff about my own practice: http://practice-piano.blogspot.com/ (Rachmaninoff, Chopin, Schumann)

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#2368597 - 01/02/15 04:51 PM Re: Just for those totally devoted to Chopin [Re: verqueue]
Puzzle Offline
Junior Member

Registered: 01/01/15
Posts: 10
Hi verqueue thank you much! smile

I do have R. Blechacz's concertos and the preludes and I liked it (I only once heard his Polonaises but I did not like them).

I am also looking especially for the ballades, sonatas, mazurkas and nocturnes.


Originally Posted By: verqueue

This is a very hard question, because we don't know how Chopin played.


I read the Eigeldinger book and it gave me a good idea...

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#2368601 - 01/02/15 04:58 PM Re: Just for those totally devoted to Chopin [Re: Puzzle]
verqueue Online   blank
Full Member

Registered: 10/31/14
Posts: 323
Loc: Europe
Quote:
I read the Eigeldinger book and it gave me a good idea...

Yeah, but you can't say that you heard Chopin's playing wink.

For Ballades and Nocturnes I like Rubinstain's recordings, but I'm not sure if they are right.
For Sonatas I like Argerich's recording. I don't understand Mazurkas yet, so I don't have favorite recording. But it's a matter of taste, I don't think they imitate Chopin's playing better than Blechacz.

But why is it so important to you?
_________________________
Some stuff about my own practice: http://practice-piano.blogspot.com/ (Rachmaninoff, Chopin, Schumann)

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#2368622 - 01/02/15 05:30 PM Re: Just for those totally devoted to Chopin [Re: verqueue]
Puzzle Offline
Junior Member

Registered: 01/01/15
Posts: 10
Originally Posted By: verqueue
[quote]
But why is it so important to you?


Even before I read the Eigeldinger book I played some easy pieces by myself and found out that many interpreters do not play exactly what is written. I can not play the pieces I like most like the ballades etc. but I want to hear them the way they are written.

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#2368635 - 01/02/15 06:03 PM Re: Just for those totally devoted to Chopin [Re: Puzzle]
verqueue Online   blank
Full Member

Registered: 10/31/14
Posts: 323
Loc: Europe
Originally Posted By: Puzzle

Even before I read the Eigeldinger book I played some easy pieces by myself and found out that many interpreters do not play exactly what is written. I can not play the pieces I like most like the ballades etc. but I want to hear them the way they are written.

The problem is that sometimes we don't know what Chopin had written. For example this famous C natural/C flat in Ballade f minor - Ekier's edition suggests that it's C natural, but in the others it's C flat.
I'm playing this Ballade now, and I studied various editions. I still don't know which edition is the best, because there are a lot differences between them... I'd never thought that they can be so different.

The other thing is that playing all these details is so hard. And still it can be imagination of an editor, not composer marks (even in Ekier's edition).
_________________________
Some stuff about my own practice: http://practice-piano.blogspot.com/ (Rachmaninoff, Chopin, Schumann)

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#2368652 - 01/02/15 06:23 PM Re: Just for those totally devoted to Chopin [Re: loveschopintoomuch]
Elene Offline
1000 Post Club Member

Registered: 12/26/07
Posts: 1425
Loc: Land of Enchantment
I was looking up something in the Eigeldinger book the other day, and was struck again by the stories from Chopin's students about how he never played any of his own works the same way twice. The poor students would diligently practice to get a piece the way they'd heard him play it, only to go back the next week and be told to do it completely differently. Henry Peru reported:

“I could respond only with tears to this demonstration which in no way resembled the first one. Discouragement filled my whole being. Then he felt sorry for me, saying, ‘It was almost good, only not the way I feel it.’”

Sheesh. "It was almost good...."

I have more or less given up on trying to imagine what the most authentic interpretation of any Chopin work might be. I hope to become "almost good," though.

If you listen to Rubinstein, although he may or may not be close to Chopin's own way of playing, I think you can always be sure that you will get a thoughtful, deep and masterful interpretation that will be worth your time and attention.

Elene
_________________________
Semi-Pro Musica

Blog: http://elenedom.wordpress.com
Website: http://elenelistens.com






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