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#994932 12/27/06 12:08 AM
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I have a problem with perfect fiths. If I play simple tune, starting some note, and instead play it on its fith above, I sometimes won't notice the difference. In otherwords, if I accidently start on the fith, I won't notice it at first.

I don't quite understand why this is, I know perfect fiths are 3/2 the frequency of the base note. Is this just some transposing effect, that sometimes works out to sound the depending on the music and key signature?

#994933 12/27/06 01:07 AM
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it depends on tonic note or key signature, and to different tonic note, the perfect 5th (i.e. dominant note) is different.

#994934 12/27/06 11:26 AM
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You probably noticed this because the key signature of a piece that is transcribed a fifth upward is only different by one accidental. You add a sharp (or lose a flat, as the case may be) when you shift up a fifth. The changed accidental is always the leading tone of the new key (the seventh scale degree) in a major key. So if you play a musical passage that doesn't happen to use this note, it will sound the same.

Don
Kansas City

#994935 12/30/06 03:37 PM
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Thanks!

Eromlignod, that makes sense actually. I really have never transposed anything before, which is pretty lame. I understand the basic concepts though, and I can see why those fiths can confuse me sometimes. smile

-Bryan


Moderated by  Bart K, platuser 

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