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#1443854 05/26/10 07:06 AM
Joined: Jun 2007
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acortot Offline OP
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Here's my blog for any of you which might be interested.

If you go back there are quite a few little articles regarding pianos which the composers of the 19° would have used.

Hope you enjoy it.


http://acortot.blogspot.com/


Max di Mario
acortot #1443980 05/26/10 11:46 AM
Joined: Apr 2010
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looks nice, I also have one that is a kind of journal for what i'm learning lol


lear
Lalala #1444007 05/26/10 12:33 PM
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acortot Offline OP
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Why don't you post a link?


Here's a link to a couple of Chopin Nocturnes played on an 1836 Pleyel, which has all the typical features of a french piano soundboard: Parallel Stringing, reduced vibrating size of the soundboard and a tone-bar running parallel to the bridges.

the piano is in relatively good shape but it has the original dampers which have hardened on a couple of notes, therefore making a slight 'meow' or buzzy sound as the damper closes.. originally this would not have happened, as Pleyel dampers were very soft and had a long decay-time after the key was released..

..also, although the piano's hammers are in pretty good shape, the outer layer of the hammers would have been of a very soft and pliable leather which is almost impossible to find today, although in those days, because of the large use of leather for many applications, it was relatively easy for them to find very good oil-tanned leather.

one defect of oil tanning is that it turns rock-hard if it absorbs humidity, so even though many 'fortepiano' experts advocate keeping the original hammer-coverings the truth is that they should be replaced with a new layer of the appropriate leather..

so when you listen to these recordings try and imagine a softer attack and a rounder tone

Chopin was said to look for a glissando-like vocal quality to his scale passages, and he would not have liked how most antique 'fortepianos' have been restored today in my opinion

http://www.youtube.com/watch?v=hGmAeSuLPb0









Max di Mario

Moderated by  Brendan, platuser 

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