Exactly, BDB, how could anyone not recognize the Baldwin signature sound from that piano?
It's so obvious to any one who has ears!
And, sigh... what a waste, they could have gotten a much fuller, more resonant tone out of that lid hinge had the piano had a full-perimeter plate with thicker rim.
And what's with that hammer? They should have used Renner Blue to get more projection out of that "tonk, tonk, tonk"-ing near the bridge.
The action... they could have gotten much better pianissimmo control had they put in a "Full Renner" with the wippen assist springs.
And, come one, what's with the strings? It's like cutting a chicken's throat -- they should have used Röslau through and through for all the plain wires to get a more refined, more "romantic sounding" cantabile tone out of the piano.
And, is it just me or do you also feel that the bass section's scaling is all screwed up? Just listen to the guy "tap tap tap"-ing through the card board on the bass strings. Don't you think they could have gotten a deeper, fuller, more resonant bass tone had they just gone with a lower tension scale?
And, all those palms and fingers on the strings -- don't they know that all that touching will tarnish the bass strings? Dang, these "artists" really don't know much about piano. What a shame, what a shame.